Here’s an overview of the theatre scene in London’s West End, Off West End, and regional theatre in July 2018:
West End Theatre:
In July 2018, the West End continued to host a range of popular shows, from long-running classics to new productions:
- Hamilton at the Victoria Palace Theatre: Lin-Manuel Miranda’s acclaimed musical about Alexander Hamilton remained a top draw, continuing its successful run.
- The Phantom of the Opera at Her Majesty’s Theatre: Andrew Lloyd Webber’s timeless musical continued to enchant audiences with its dramatic story and beautiful music.
- Les Misérables at the Queen’s Theatre: The enduring tale of justice, love, and revolution in France kept audiences captivated.
- Harry Potter and the Cursed Child at the Palace Theatre: The two-part play set in the magical world of Harry Potter continued to attract fans with its impressive stagecraft and storytelling.
- The Lion King at the Lyceum Theatre: Disney’s visually stunning and musically rich adaptation of the animated film continued to delight audiences of all ages.
Other notable productions included:
- Tina – The Tina Turner Musical at the Aldwych Theatre: This musical biography of the legendary singer Tina Turner remained a crowd-pleaser with powerful performances and iconic songs.
- Aladdin at the Prince Edward Theatre: Disney’s vibrant and magical musical adaptation of the beloved animated film was a family favorite.
- The Book of Mormon at the Prince of Wales Theatre: The satirical and hilarious musical from the creators of South Park continued to entertain with its irreverent humor.
- Wicked at the Apollo Victoria Theatre: The prequel to The Wizard of Oz, telling the story of the witches of Oz, continued its successful run with spectacular production and memorable music.
- Chicago at the Phoenix Theatre: The classic musical about crime and celebrity in the 1920s, featuring iconic songs and dazzling choreography, continued to draw audiences.
Off West End Theatre:
Off West End theatres offered a diverse array of innovative and intimate productions in July 2018:
- The Jungle at the Playhouse Theatre: This immersive play about the Calais refugee camp continued to receive widespread acclaim for its powerful storytelling and unique staging.
- Nine Night at the National Theatre: Natasha Gordon’s debut play, exploring the Jamaican tradition of nine-night mourning, resonated with audiences for its humor and emotional depth.
- Quiz at the Noël Coward Theatre: James Graham’s play about the “coughing major” scandal on the UK’s Who Wants to Be a Millionaire? continued its successful run.
- An Octoroon at the National Theatre (Dorfman): Branden Jacobs-Jenkins’ bold adaptation of Dion Boucicault’s 19th-century melodrama was praised for its provocative exploration of race and identity.
- The Writer at the Almeida Theatre: Ella Hickson’s play, which delves into the challenges faced by a young female playwright in a male-dominated industry, continued to generate conversation and critical acclaim.
Regional Theatre:
Regional theatres across the UK offered a variety of productions in July 2018, ranging from classic plays to contemporary works:
- The Royal Shakespeare Company (RSC) in Stratford-upon-Avon: The RSC’s summer season featured productions of Macbeth, Twelfth Night, and Coriolanus.
- The Manchester Royal Exchange Theatre: This theatre presented Happy Days, Samuel Beckett’s challenging play about resilience and endurance, starring Maxine Peake.
- Birmingham Repertory Theatre: The REP staged Brief Encounter, a theatrical adaptation of the classic British film, blending Noel Coward’s dialogue with live music and multimedia elements.
- The Bristol Old Vic: The theatre featured Long Day’s Journey Into Night, Eugene O’Neill’s powerful and autobiographical family drama.
- The Sheffield Crucible: The Crucible hosted One Flew Over the Cuckoo’s Nest, a stage adaptation of Ken Kesey’s classic novel about life in a mental institution, directed by Javaad Alipoor.
These productions highlight the vibrant and diverse theatre scene in the UK in July 2018, showcasing a mix of blockbuster musicals, classic plays, innovative new works, and regional highlights.
July 2018
| Imperium I: Conspirator and Imperium II: Dictator | Review |
| The Play About My Dad at Jermyn Street Theatre | Review |
| The Jungle wins South Bank Sky Arts Award |
| Bat Out of Hell Partnership with Invictus Games Foundation |
| For King and Country and Southwark Playhouse | Review |
| GENESIS INC. at Hampstead Theatre | Review |
| People Change by Jordan Gray at the Also Festival Warwickshire |
| All-star cast for new studio recording of The Clockmaker’s Daughter |
| The King and I at the London Palladium | Review |
| To Have to Shoot Irishmen by Lizzie Nunnery – Omnibus Theatre then touring |
| Review of Mermaids at the King’s Head Theatre |
| Dietrich – Natural Duty transfers to Wilton’s Music Hall |
| Harry Potter and the Cursed Child heads to Germany! |
| Asking For a Raise at The Space, Isle of Dogs, London | Review |
| Bush Theatre announces Autumn/Winter 2018-2019 Season |
| Circa: Peepshow at the Underbelly Festival | Review |
| The Clementine Show Live at Zedel Crazy Coqs | Review |
| Interview with Lauren Kaye regarding I’m All In LIVE |
| Knights of the Rose at the Arts Theatre | Review |
| The Unnatural Tragedy By Margaret Cavendish | Review |
| Matt Cardle to join the cast of Strictly Ballroom The Musical |
| The Glenn Miller Story starring Tommy Steele & Marti Webb |
| Oscar Wilde’s Reading Gaol in a new adaptation at Theatre N16 this summer |
| The Lieutenant of Inishmore at the Noel Coward Theatre, London | Review |
| Casting announced for the UK Tour of Kinky Boots |
| Flesh and Bone at Soho Theatre, London | Review |
| We’re Going on a Bear Hunt at the Lyric Theatre, London | Review |
| Interview with Joey Hickman – We’re Going on a Bear Hunt Live on Stage |
| Fat Jewels by Joseph Skelton at the Hope Theatre |
| Townsend Theatre Productions presents The Ragged Trousered Philanthropists |
| UnderExposed Theatre presents UnderExposed Festival | Review |
| This Is The Greatest Show on a Nationwide Autumn Tour |
| Review of Dark Arts at the King’s Head Theatre |
| Arcola Theatre and Forward Arena present Virginia Woolf’s Mrs Dalloway |
| Matthew Bourne’s SWAN LAKE will be the first Creative Green Certified Tour |
| A contemporary version of Bram Stoker’s Dracula to tour the UK |
| Review of The One by Vicky Jones at Soho Theatre |
| Review of Immaculate Correction at the King’s Head Theatre |
| King Lear announces £5 tickets for 16-25-year-olds as part of Chichester Festival Theatre’s Prologue scheme |
| Casting Announcement for London Free Open Air Theatre 2018 |
| Review of It Happened in Key West at Charing Cross Theatre |
| Company full casting announced – Gielgud Theatre |
| Earthquakes in London at the Bridewell Theatre | Review |
| Madagascar The Musical at New Wimbledon Theatre (Review) |
| Interview with Matt Terry – Alex in Madagascar The Musical |
| Bonnie Langford to join 42nd Street as Dorothy Brock |
| Disney’s Aladdin and The Lion King announce Summer Pop-Up Experience in London |
| Everybody’s Talking About Jamie Casting Announcement |
| Back To Where by Colin James at the Jack Studio Theatre |
| Lambert Jackson announces a competition to find future musical theatre star |
| School of Rock the Musical Year Three Begin Term |
| Review of The Dame by Here’s One at the Blue Elephant Theatre |
| As You Like It at Regents Park Open Air Theatre | Review |
| Review of Jonathan Larson’s RENT at Frogmore Paper Mill |
| Barry Humphries’ Weimar Cabaret at the Barbican | Review |
| The Lehman Trilogy by Stefano Massini at the National Theatre |
| Daisy Campbell’s Pigspurt’s Daughter at Hampstead Theatre |
| Review of Café of the Damned at the Etcetera Theatre |
| Locked Up by Heather Simpkin at the Tristan Bates Theatre | Review |
| Alkaline by Stephanie Martin at Park Theatre | Review |
| Fame The Musical UK Tour Launch |
| Review of End Of The Pier at Park Theatre |
| New Pirates! musical to open in UK in 2019 |
| Review of The Dragprov Revue at The Miller Pub, London |
| Review of Titanic the Musical at the Churchill Theatre, Bromley |
| David Witts and Chris Jarman join the London Company of Wicked |
| Thriller Live to celebrate a record-breaking 4,000 West End shows… |
| Fireraisers presents Femme Fatale at Wilton’s Music Hall |
| Review of Awakening at the Old Red Lion Theatre |
| Dining al Desko at the Etcetera Theatre |
| When You Fall Down- The Buster Keaton Story at The Pleasance |
| WEST END BARES Announces 2018 Theme TOP OFF THE POPS |
| Half me, half you at Tristan Bates Theatre, London | Review |
| Ramin Karimloo: From Now On |
| Nikita Johal steps up from ensemble to play female lead role in Broken Wings |
| The Time Capsule – A Pick Your Own Adventure Play | Review |
| Noël Coward’s Private Lives at Lauderdale House | Review |
| The White Rose by Ross McGregor at the Jack Studio Theatre |
| Brave New World at Westgate Shopping Centre, Oxford |
| Honey by Reaction Theatre Makers at The Cockpit Theatre | Review |
| Che Malambo at The Peacock Theatre, Sadler’s Wells | Review |
| David Walliams’ Mr Stink at Chickenshed Theatre | Review |
| Some Riot Theatre’s Weird at Theatre503 | Review |
| Ardent Theatre Company present the world première of Sacrifice |
| Eastern Star by Guy Slater at Tara Theatre |
| Review of Evita at Churchill Theatre Bromley |
| Brexit: movement of people in the cultural sector | House of Lords |
| Michael Grandage will helm the feature film Jack and Lem |
| Broken Wings: Cast and creatives at rehearsals |
| Delfont Mackintosh Theatres’ improvements and renovation continue… |
| Review of Spamilton at the Menier Chocolate Factory |
| Exit The King by Eugène Ionesco at the National Theatre |
| Coming Clean by Kevin Elyot London West End Transfer |
| The Jamie Lloyd Company announces further casting for PINTER AT THE PINTER July ’18 |
| Review of Madagascar The Musical at New Wimbledon Theatre |
| Richard Winsor is set to play Tony Manero in Saturday Night Fever |
| Review of BISHI: The Good Immigrant – King’s Cross London |
| Review of Nina Millns’ Delete at the Actor Awareness Festival |
| Company Wayne McGregor – Autobiography | Review |
| Ethereal Theatre’s Sweeney Todd: The Demon Barber of Fleet Street |
| Fringe Wives Club: Glittery Clittery at Udderbelly Southbank |
| James Dean Is Dead, (Long Live James Dean) | Review |
| For Reasons That Remain Unclear by Mart Crowley | King’s Head Theatre |
| Jew You Love Me? at the Lion and Unicorn Theatre | Review |
| Review of Sinatra: RAW a new play by and starring Richard Shelton |
| Harry Potter and the Cursed Child: Producers announce further tickets to be released |
| Joe Stilgoe Band at Ronnie Scott’s | Review |
| Review of ROUTE by Marie Myrie at The Hope Theatre |
| Review of Time for Tea at the Etcetera Theatre | Camden Fringe |
| The Cloakroom Attendant at Tristan Bates Theatre | Review |
| Breathe written and directed by Lucrezia Pollice at Tristan Bates Theatre |
| Death of a Salesman London West End 2019 |