
TAO Dance Theater at Sadler’s Wells | Review
Tao Dance 4+9 starts with the audience in the dark. And that’s more or less how it finishes, too. If
TAO Dance Theater at Sadler’s Wells | Review Read More »

Tao Dance 4+9 starts with the audience in the dark. And that’s more or less how it finishes, too. If
TAO Dance Theater at Sadler’s Wells | Review Read More »

Theatre doesn’t have to be enjoyable. I get that. Bromley Bedlam Bethlehem certainly isn’t a comfortable night at the theatre. I
Bromley Bedlam Bethlehem at the Old Red Lion Theatre Read More »

Is it winter now? Now, is it winter? How soon and wintery is now? Such rambling, semi-incomprehensible, apparently ironic reiteration
Michele Sinisi in Richard III at Draper Hall | Review Read More »

Maxine Peake’s one-woman show is something of a plodding, steady snow drift, rather than an avalanche. She tells the story
Avalanche: A Love Story at the Barbican Theatre | Review Read More »

Matthew Bourne’s Swan Lake, now nearly 25 years old, is as sharp, sexy and silly as ever. Though audiences might
Matthew Bourne’s Swan Lake at New Wimbledon Theatre | Review Read More »

Going Through passes along smoothly and of silently. But don’t mistake silence for softness. Told by Nadia Nadarajah and Charmaine
Going Through by Estelle Savasta at the Bush Theatre | Review Read More »

Caryl Churchill’s 1982 play Top Girls isn’t really for the slow. It’s stop-start, jumpy, fast and slow. Highly comic, instantly
Top Girls by Caryl Churchill at the Lyttelton Theatre | Review Read More »

Arinze Kene’s Misty ran at the Bush Theatre to huge critical acclaim before becoming only the second black writer to
Good Dog by Arinzé Kene at Bernie Grant Arts Centre Read More »