Author name: Thomas Froy

‘Consent’ is the buzzword of contemporary theatre right now. Evan Placey’s 2015 play has been revived by NYT Rep Company,

Romeo and Juliet is, despite its popularity, a tricky play. There are a number of difficulties in the script which

The RSC’s production of Macbeth comes at an apt time. Greed for power at any expense is the universal feature

Dark and cheery, drunk and teary, Drip Feed is eventful, to say the least. Karen Cogan’s non-stop, no-pity delivery of

Sarah Kane’s 4.48 Psychosis is difficult to stage. There are no indications as to staging, location, cast or even who

Cool. Weird. Fun? Creation Theatre’s adaptation, reimagination and reinvention of Huxley’s 1931 classic is kind of awkward, kind of funny,

Torben Betts’ new play, Monogamy is a comedy. Or a tragedy. Both. Neither? Not sure. It is funny, though. I

The Yellow Wallpaper is a feminist classic by Charlotte Gilman, right? After seeing Another Soup’s ‘interpretation’, I had to reassure