LondonTheatre1

London Theatre: Tickets Reviews | News | West End | Off-West End | UK Touring Productions

Dance Direct
  • Home
  • London Theatre Tickets
    • Musicals
    • Plays
    • West End Theatres
      • Matinees
      • Seating Plans
    • Come From Away
    • Dear Evan Hansen
    • Les Miserables
    • Matilda the Musical
    • Pretty Woman the Musical
    • The Lion King Musical
    • The Mousetrap
    • The Phantom of the Opera
    • The Prince of Egypt
    • The Woman in Black
    • Tina the Musical
    • Wicked
  • News
    • Interviews
  • Reviews
    • Ballet
    • Cabaret
    • Children’s Theatre
    • Circus
    • Comedy
    • Dance
    • Immersive
    • Music
    • Musicals
    • Opera
    • Plays
  • UK Shows
    • UK Theatres
    • Ambassadors Theatre
    • Duke of York’s Theatre
    • Fortune Theatre
    • Harold Pinter Theatre
    • Lyceum Theatre
    • New Wimbledon Theatre
    • Richmond Theatre
    • New Wimbledon Theatre Studio
    • Piccadilly Theatre
    • Playhouse Theatre London
    • Trafalgar Studios
  • Shop
    • Books
    • Home
    • Clothing
  • EMP
    • Things to Do
  • Dancewear

Apollo Theatre London Everybody's Talking About Jamie Tickets

he Apollo Theatre was opened one month after Queen Victoria had died in 1901 making it the first West End theatre of the Edwardian age. The auditorium was renovated substantially in 1932. It is suggested that the balcony is the steepest in London so be warned!

EVERYBODY’S TALKING ABOUT JAMIE

Everybody’s Talking About JamieNica Burns presents the Sheffield Theatres production of Everybody’s Talking About Jamie A New Musical.

Once upon a time, there was a 16-year-old boy who had a secret he wanted to tell…
So, he approached a documentary filmmaker as you do, and asked if they would help him tell it. The resulting documentary was seen by a theatre director and it inspired him to create a musical. A producing regional theatre backed him. He then bumped into a famous musical theatre star who introduced him to a well-known pop composer who was working with a lyricist and book writer. The theatre put on the production. A major producer saw it and offered them a West End theatre.

Buy Tickets Here

Apollo Theatre
31 Shaftesbury Avenue
London W1D 7ES

Apollo Theatre London Address

Horrible Histories: Barmy Britain – Part Four! at the Apollo Theatre

August 7, 2019 Last updated: August 7, 2019 12:10 pm By Mary Beer

Horrible Histories Barmy Britain - Part Four! Benedict Martin & Pip Chamberlain. Credit - Mark Douet
Horrible Histories Barmy Britain – Part Four! Benedict Martin & Pip Chamberlain. Credit – Mark Douet

With two thoroughly capable performers (both trained by some of the UK’s finest acting academies) giving it their all in this multi-role romp through the days of the Vikings to current political madness, Horrible Histories: Barmy Britain is energetic, edifying and occasionally a little close-to-the-bone. With enough flatulence-based comedy to make Chaucer proud, the young audience lapped up this very British, almost music-hall-style, two-hander in which Benedict Martin as Rex gives an occasionally Kenneth Williamesque take (for the pre-tween audience) on everything from Samuel Pepys to Boris Johnson. Pip Chamberlin as Roger matches gag-for-gag in the clowning and crooning, generally playing the straighter part to set up the laughs.

The show is funny but not hilarious. Nonetheless, there’s something for everyone to latch onto over the 70-minute, one-act performance. Barmy Britain‘s promotional material suggests it’s for 5+ but – whilst this show sits squarely in primary school entertainment – it does skew more towards Juniors rather than infants. Much of the humour or storytelling is delivered verbally, supported with visual cues (there are plenty of funny costumes to hold attention) but it’s not big on sight-gags per se. This theatrical performance best hooks its audience when it can nod to a degree of familiarity with an ‘established’ fact and then subvert it. Indeed, the Horrible Histories franchise is precisely about finding a refreshing interpretation in acknowledging and marvelling in absurdity as much as (tamely) gruesome details. Although you are almost certainly likely to learn something you didn’t know (which is satisfying), this play isn’t the place to perfect chronology or historiography. Barmy Britain is about enjoying satire and getting a fresh take on references you recognise at least a little: a very British theatrical experience for young people born very much out the traditions of British parody. Think of it as a little bit panto meets Beyond the Fringe-lite for those who haven’t yet sat their 11+.

With the Horrible Histories franchise also making respectable cinematic inroads this summer by unleashing the biggest faces of contemporary UK comedy (plus Sir Derek Jacobi in a hilarious in-joke role) to deliciously chew the scenery in Rotten Romans, kids who love (educationally-justifiable) gross-out humour, and parents who want something with a bit more public-service tone than the usual Hollywood fare, have some fun options to pursue in both cinema and theatre this year. However, Barmy Britain (perhaps because it is theatre) does more than explore history with its tongue planted firmly in cheek. Rightly, it can’t be credible in mocking the bonkers attitudes and actions of monarchs and mobs for the last two millennia without acknowledging where we are today. Although hardly central to the show, the nettle is grasped and this seems bitingly apt and honest. However, in that most British of ways, it seems to wrap-up with a ‘mustn’t grumble’ contextualisation about how British history has always been led by fools, miscreants and incompetents and so we should keep calm and carry on. Somehow the ‘there-there’ finale feels more like, having brought up the apocalypse, we really must put the kettle on now for what else can you do? Such a conclusion isn’t entirely uplifting. The children, however, will sing along and smile and, just like those Rotten Romans, we live to fight another day.

4 stars

Review by Mary Beer

Barmy Britain – Part Four! was the most successful Horrible Histories show so far and enjoyed a sell-out 2018 summer season.

Be reduced to rubble by the ruthless Romans! Would you be shaken or stirred by Richard III? Will Queen Elizabeth I endure her terrible teeth? Would you be hanged by King James I for being a witch? Mount a mutiny against King Henry VIII! See Mary Tudor knock the spots off Mary Queen of Scots! Peep into the world of Samuel Pepys and help Georgian detectives find the headless man! Take a trip into the night with the night soil men and discover how to survive the first ever train ride!

Horrible Histories – Barmy Britain – Part 4
Apollo Theatre, London
31 Shaftesbury Avenue London W1D 7ES

Buy Tickets

Tagged With: ApolloTheatre

Rita Simons to play Miss Hedge in Everybody’s Talking About Jamie

June 28, 2019 Last updated: October 8, 2019 1:40 am By Admin

Rita Simons
Rita Simons

Everybody’s Talking About Jamie, the award-winning feel-good musical sensation, is delighted to announce that award-winning TV and stage actress, Rita Simons, best known for playing Roxy Mitchell in EastEnders, will take to the stage in the role of Miss Hedge. Rita takes over the role from Faye Tozer on 5 August 2019 for a limited season.

Rita Simons said: “I am so excited to be playing Miss Hedge in what is by far my favourite show…I went to see it when it opened and always wanted to be part of this incredible show…roll on August!”

Nica Burns, Producer of Everybody’s Talking About Jamie said: “Rita is a very popular and much-loved actress. Before she burst onto our TV screens winning Most Popular Newcomer at the National Television Awards, she had a successful career as a singer and two hit singles with the band, Girls @ Play. She will knock you out with her voice as she rocks it as Miss Hedge.”

Rita Simons is best known for playing Roxy Mitchell in BBC’s EastEnders and is one of Britain’s best-loved TV actresses. She won Most Popular Newcomer at the National Television Awards and Best Newcomer at the Digital Spy Soap Awards. Rita most recently starred in the film The Krays: Dead Man Walking and was a campmate on the hit ITV reality show I’m a Celebrity…Get Me Out Of Here! in 2018.

Rita’s theatre credits include Legally Blonde (UK Tour) and The House in Cold Hill (UK Tour).

Rita will join cast members: Layton Williams (Jamie New), Bill Ward (Hugo/Loco Chanelle), Alex Anstey (Laika Virgin), Luke Baker (Dean Paxton), Courtney Bowman (Fatimah), Marvyn Charles (Swing), Marlon G Day (Dad), Momar Diagne, Zahra Jones (Becca), James Gillan (Tray Sophisticay), Ryan Hughes (Mickey), Daniel Jacob (Sandra Bollock), Melissa Jacques, Emily Kenwright (Vicki), Sejal Keshwala (Ray), Luke Latchman (Sayid), Jordan Laviniere (Cy), Rebecca McKinnis (Margaret New), Harriet Payne (Bex), Rachel Price (Swing), Sabrina Sandhu (Pritti Pasha), Biancha Szynal (Swing), Adam Taylor (Swing) and Ziggy Tyler Taylor (Levi).

Jamie New is sixteen and lives on a council estate in Sheffield.
Jamie doesn’t quite fit in.
Jamie is terrified about the future.
Jamie is going to be a sensation.

Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. With catchy songs by lead singer-songwriter of The Feeling, Dan Gillespie Sells, and book and lyrics by writer Tom MacRae, this funny, fabulous, feel-good, musical sensation has been wowing audiences and critics alike. Sixteen: the edge of possibility. Time to make your dreams come true.

Music by Dan Gillespie Sells
Book and Lyrics by Tom MacRae
From an idea by Jonathan Butterell
Directed by Jonathan Butterell
Design by Anna Fleischle
Choreography by Kate Prince
Lighting design by Lucy Carter
Sound design by Paul Groothuis
Casting by Will Burton
Musical Supervisor Theo Jamieson
Musical Director Richard Weeden
Video Design Luke Halls

EVERYBODY’S TALKING ABOUT JAMIE
Apollo Theatre
31 Shaftesbury Avenue
London W1D 7ES

Buy Tickets

Tagged With: ApolloTheatre

Bill Ward to play Hugo/Loco in Everybody’s Talking About Jamie

June 7, 2019 Last updated: October 8, 2019 11:40 am By Admin

Bill Ward
Bill Ward

Everybody’s Talking About Jamie, the award-winning feel-good musical sensation, is pleased to announce that TV and stage actor, Bill Ward, will take on the role of Hugo/Loco Chanelle from 1 July 2019 for a limited season.

Bill Ward said: “I’m delighted to be joining the cast of Everybody’s Talking About Jamie. It’s a wonderful story, genuinely heart-warming with some cracking tunes, and an awful lot of fun. I’m particularly looking forward to finding my inner Loco Chanelle, and stepping into one of the biggest pairs of stilettoes I’ve ever seen.”

Nica Burns, Producer of Everybody’s Talking About Jamie said:”Hugo/Loco Chanelle is a terrific part which has attracted fantastic performers. We are delighted to welcome tv and stage star, Bill Ward, who will bring his own sparkle to the role currently played by Roy Haylock/Bianca del Rio and before that, Shane Richie.”

Bill Ward is an award-winning television and stage actor who is best known for playing Charlie Stubbs in Coronation Street and James Burton in Emmerdale. Bill has been nominated five times for a British Soap Award and has won twice for Best Exit and Storyline.

Bill’s theatre credits include Legally Blonde (UK Tour), The Hairy Ape (Southwark Playhouse), Viva Forever (West End) and Million Dollar Quartet (West End).

Bill will join current cast members: Layton Williams (Jamie New), Faye Tozer (Miss Hedge), Alex Anstey (Laika Virgin), Luke Baker (Dean Paxton), Courtney Bowman (Fatimah), Marvyn Charles (Swing), Marlon G Day (Dad), Momar Diagne, Zahra Jones (Becca), James Gillan (Tray Sophisticay), Ryan Hughes (Mickey), Daniel Jacob (Sandra Bollock), Melissa Jacques, Emily Kenwright (Vicki), Sejal Keshwala (Ray), Luke Latchman (Sayid), Jordan Laviniere (Cy), Rebecca McKinnis (Margaret New), Harriet Payne (Bex), Rachel Price (Swing), Sabrina Sandhu (Pritti Pasha), Biancha Szynal (Swing), Adam Taylor (Swing) and Ziggy Tyler Taylor (Levi).

Jamie New is sixteen and lives on a council estate in Sheffield.
Jamie doesn’t quite fit in.
Jamie is terrified about the future.
Jamie is going to be a sensation.

Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. With catchy songs by lead singer-songwriter of The Feeling, Dan Gillespie Sells, and book and lyrics by writer Tom MacRae, this funny, fabulous, feel-good, musical sensation has been wowing audiences and critics alike. Sixteen: the edge of possibility. Time to make your dreams come true.

Music by Dan Gillespie Sells
Book and Lyrics by Tom MacRae
From an idea by Jonathan Butterell
Directed by Jonathan Butterell
Design by Anna Fleischle
Choreography by Kate Prince
Lighting design by Lucy Carter
Sound design by Paul Groothuis
Casting by Will Burton
Musical Supervisor Theo Jamieson
Musical Director Richard Weeden
Video Design Luke Halls

EVERYBODY’S TALKING ABOUT JAMIE

Apollo Theatre
31 Shaftesbury Avenue
London W1D 7ES

Buy Tickets

Tagged With: ApolloTheatre

Interview with Layton Williams – Everybody’s Talking About Jamie

May 17, 2019 Last updated: October 7, 2019 6:57 pm By Neil Cheesman

Layton Williams (Jamie) in Everybody's Talking About Jamie at the Apollo Theatre. Photo credit Johan Perrson.
Layton Williams (Jamie) in Everybody’s Talking About Jamie at the Apollo Theatre. Photo credit Johan Perrson.

In January 2019, Layton Williams took over from John McCrea in the smash West End show Everybody’s Talking About Jamie. Layton is probably best known for playing the character Kylie in the BBC series Beautiful People and for playing the lead, alongside Jack Whitehall, in the critically acclaimed BBC comedy Bad Education, the follow-up film was in cinemas and can now be seen on DVD. He is also known as one of the boys who played the title role in Billy Elliot the Musical in London’s West End. Layton recently took his dance talent to the stage touring with Matthew Bourne’s stunning show The Car Man. Layton then performed to rave reviews as the role of Angel in the UK tour of the much-loved musical Rent. His other major credits include touring the country in the popular musical Hairspray and starring in Kiss Me, Kate at Sheffield Crucible Theatre.

Layton recently took time out to chat about his career, and of course, Everybody’s Talking About Jamie.

Q: Taking a brief step back in time – a favourite memory from your time as Billy in Billy Elliot?
Layton: The whole experience was incredible. Opening Night was amazing. It was the first time I had performed in front of so many people and something I will never forget. It made me realise it was the thing that I really wanted to do. Just being a part of the legacy was amazing and it was really the beginning of everything for me. They taught me how to dance, how to sing and how to act – the whole experience was something I will never forget.

Q: Of your screen roles – do you have a favourite?
Layton: It is so hard to pick favourites… but, I loved my first job in Beautiful People – being on screen and working with an icon such as Olivia Coleman. I also got to dance as well – I loved that aspect of it. I did some dance in Bad Education, but not to the same extent. More recently I have a dance routine in the Rocketman movie – and that was an amazing experience – the film comes out in a couple of weeks. It was on a night shoot, cranes up in the air, it was brilliant.

Layton Williams as Seaweed in 2017 Hairspray UK Tour. Photo by Darren Bell.
Layton Williams as Seaweed in 2017 Hairspray UK Tour. Photo by Darren Bell.

Q: On two Hairspray tours – you played the part of Duane and Seaweed J Stubbs. What thoughts on being a part of this show?
Layton: Being part of a show where the story is about segregation and racism, and it makes people think. I think that is what stands out for me.

Q: Again on tour, on to Angel in RENT. What did you enjoy most about that role?
Layton: I loved Angel. I was the first time I had been playing around in heels. That was an experience and definitely set me up for what I am doing now. Also, the best part for me was being a part of a new creative team. It is such an iconic show, as is Hairspray. Working with choreographer Lee Proud, it was like we are making a new thing here. It really resonated in the production that it was a ‘fresh take’ on the show. It was 20 years since they had done RENT and it was amazing to bring it back but with a fresh eye.

Q: Kiss Me Kate at Sheffield Crucible – Your favourite song from the musical?
Layton: It has got to be ‘Too Darn Hot’, of course. My jam, my song – it goes on for more than 10 minutes… it was so much fun and probably my favourite musical theatre number to perform. The choreography felt so right in my body and it was so much fun. The whole team was sweating after that number.

Q: From January this year you have been playing the role of Jamie New in Everybody’s Talking About Jamie – How did you feel when asked to play the role?
Layton: I was ecstatic, I was confused, I was shocked, all of the above – I can remember calling my mum and crying saying “they want me to do Jamie…”. How it worked out was so not like any other audition. It happened so casually and randomly. I didn’t really have time to take it all in – and then I had to wait 6 months or so before I got to actually play the role. So, it was quite a build up before I actually did the role, but worth the wait.

Q: What can you tell us about Jamie?
Layton: The take on Jamie is always the same, but maybe differs in how I perform it. He comes from a council estate up north, a bit like myself, back in the day. So, it’s not much of a reach there when it comes to myself and Jamie. He is out at school but underneath that, he has got body issues. He has also got issues with his dad. Just a boy who is trying to figure stuff out while he has a load of other people trying to give him advice and basically the wrong information. What he should and shouldn’t do etc. Underneath all of this fabulousness and bravado, there is this really vulnerable boy. If you were to scratch the surface he would bleed – he has got that about him.

Q: How important is playing the role of Jamie to you?
Layton: It is important to me because it represents the LGBTQ+ community in such a light that I don’t think another show does. And the number of people that come and see me at stage door or write letters and fan mail each week, it really is changing people’s lives. Giving people the confidence to be who they want to be. To go out there and unapologetically be themselves, whether they are gay, bisexual, transgender – anything. They can see themselves in the show in every way – it is relatable. And it is a British show and people think we are on their side. It is really beautiful to be able to help people.

Q: Your favourite song in the show?
Layton: I love singing Spotlight reprise – it is really short but always fills my heart with joy. And I have just got to sing it at the Royal Albert Hall, which was really fun.

Q: Your favourite scene in the show?
Layton: It will have to be the eyebrow scene – where Jamie is trying to paint on his eyebrows and he doesn’t do it very well.

Q: Can you tell us about the choreography in the show?
Layton: Once we have done the rehearsals and the show is up and running we just do it. I love the choreography in the show.

Q: Do you have a ‘show-day’ routine?
Layton: I try to mix it up a lot. I don’t have set things to do. I usually come in and warm-up, do my make-up, put on some tunes – such as The Spice Girls etc… get into a feel-good mood, and just go down and get into the show. I don’t have rituals – I just make sure I am rested and well-hydrated and ready to play.

Q: What do you enjoy most about being in the show?
Layton: Being able to be a part of a show that relates to people and inspires them to be themselves.

Q: Why should everyone get along to see the show?
Layton: You should come and see the show if you want to be moved – it will make you laugh and cry, make you think and be more open and kinder and forgiving. And to leave the theatre and help to make the world a better place by representing the message that Jamie is trying to say: just, unapologetically be yourself. Everyone needs a little bit of Jamie to sprinkle in their lives.

Layton Williams on Twitter @LaytonWilliams
Everybody’s Talking About Jamie on Twitter @JamieMusical

*******

Inspired by a true story, Everybody’s Talking About Jamie is the hit musical for today. Jamie New is sixteen and lives on a council estate in Sheffield. Jamie doesn’t quite fit in. Jamie is terrified about the future. He is going to be a sensation.

Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight.

Everybody’s Talking About Jamie
Performance Times: Monday to Saturday at 7.30pm, Wednesday and Saturday at 2.30pm
Running Time: Approximately 2 hours 40 minutes including interval
Age Restriction: Parental discretion advised. Contains some strong language and mild sexual references.

Apollo Theatre, London
Shaftesbury Avenue, Soho, London W1D 7EZ

Seating Plan & Ticket Bookings

Tagged With: ApolloTheatre

The Phantom of the Opera West End Eurovision 2019

April 29, 2019 Last updated: April 26, 2020 8:43 pm By Elaine Chapman

West End Eurovision 2019 winners
The cast The Phantom of the Opera pictured with UK Eurovision star Graham Norton and 1998 Israeli Eurovision winner Dana International Photo: Nicolas Chinardet zefrographica.co.uk

The glitzy and glamourous 2019 charity event of the West End Eurovision song contest was held in the Adelphi Theatre on The Strand which is currently the home of the Musical Waitress.

The aim of the event is to raise money for the charity Mad Trust – Make a difference Trust which was founded in 2008 by David Pendlebury, together with Melanie Tranter and Julian Bird, and was initially known as West End Cares & subsequently Theatrecares. It raises much-needed funds to help people living with HIV and Aids in the U.K and Sub-Saharan Africa. Last year’s event saw them raise over £400.000.

The evening’s event consisted of seven acts by West End musical companies running at the current time. These were Everybody’s Talking About Jamie – the 2018 Israel entry Toy, Wicked – the 2004 Ukraine entry Wild Dances, Mamma Mia the 2010 Iceland entry Je Ne Sais Quoi, The Phantom of the Opera – 2015 Italian entry Grande Amore, Aladdin – Finland’s 2018 entry Monsters, Only Fools and Horses – 2007 Ukraine entry Dancing Lasha Tumbai and Follies – 1977 French entry L’oiseau et L’Enfant.

Our four celebrity judges were Wayne Sleep, Bonnie Langford, Tim Vincent and Amber Davies. There was some great camaraderie between the four celebrities and Wayne Sleep flirted outrageously with the host and Tim Vincent.

The host for the evening was Richard Gauntlet who is no stranger to West End musicals. His combination of wit and antics on stage made him an excellent choice to entertain the audience and introduce the acts. There were a few in-house jokes thrown in.

The most rapturous applause of the night went to the star of Everybody’s Talking About Jamie – Layton Williams. Wearing a very skimpy bodysuit, his extremely well-toned abs and physique left very little to the imagination. However, anyone who can jump into the splits as he did deserves the accolade he received.

The theatre was treated to an incredible performance by the 2019 United Kingdom Eurovision candidate Michael Rice. He has an amazing voice with plenty of wow factor and the song is extremely good. Taking the Eurovision politics to one side this candidate would certainly be in with a good chance of winning the competition.

Graham Norton the regular Eurovision host since the departure of Terry Wogan was on the stage at the end to present the award to the winner of the evening.

Dana International performed two numbers and the stunning slate grey glitzy catsuit style outfit added a real touch of showbiz bling to the performance. The winners of the evening’s overall performance was The Phantom of the Opera‘s brilliant rendition of Italy’s 2015 Eurovision entry of Grande Amore. The level of professionalism was everything you expect from a long-standing West End musical.

“Spectacular performance” Tim Vincent enthused during the judges comments backed up by Wayne Sleep swooning “… vocals sent me crazy“. Bonnie Langford captured the whole performance by simply claiming “Brilliantly Theatrical“.

The immaculate matching black outfits were absolutely stunning and the men in their dinner suits looked fabulous. However, the multicoloured sparkling dresses worn by the ladies towards the end were amazing. The true winners from this amazing glitzy gala night are the people who will now go on to be helped by the money raised at this great fundraising event. Both in the UK and Africa.

*******

This was the first time in the 9-year history of West End Eurovision that the top prize has been won by the same show in successive years.

The Phantom of the Opera was also awarded the new Outstanding Gorgeousness prize, judged by award-winning Set and Costume Designer Fly Davies and Jamie Campbell, whose story inspired ‘Everybody’s Talking About Jamie’.

The Best Creative prize – decided by the judging panel of West End star Bonnie Langford, dancer, choreographer, director and actor Wayne Sleep, OBE, ‘Blue Peter’ legend Tim Vincent and Love Island winner Amber Davies (currently playing Judy Bernly in ‘9 to 5’ at the Savoy Theatre) – went to the cast of Wicked performing ‘Wild Dances’ (Ukraine’s 2004 winning entry).

The third trophy of the night, the Best Ident, voted for by public text vote, was won by Everyone’s Talking About Jamie.

The final result was:
1. The Phantom of the Opera – 88 votes
2. Follies – 80 votes
3. Wicked – 62 votes
4. Aladdin – 52 votes
5. Mamma Mia! – 42 votes
6. Everyone’s Talking About Jamie- 40 votes
7. Only Fools and Horses- 16 votes

Melanie Tranter, chair of the Make A Difference Trust said: “Last night’s event was a testament to the generosity of the amazing people in the theatre community coming together to support the Trust. The funds raised will help us to continue our work supporting those living with or affected by HIV and AIDS. Congratulations to The Phantom of the Opera for a well-deserved win. We all look forward to them defending the trophy next year.”

Since the first West End Eurovision contest was staged in 2008, the event has raised hundreds of thousands of pounds to support the MAD Trust. The Trust works with its partners to support HIV and AIDS projects both in the UK and Sub-Saharan Africa building awareness and providing care support and education.

@MADTrust

https://www.madtrust.org.uk/

Book The Phantom of the Opera Tickets for Her Majesty Theatre.

Tagged With: ApolloTheatre, HerMajestysTheatre, The Phantom of the Opera

  • 1
  • 2
  • 3
  • …
  • 7
  • Next Page »
London Theatre 1 and London Theatre One are Registered Trademarks Copyright 2021 www.LondonTheatre1.com
By using our website you’re confirming that you’re happy to accept our use of cookies. Here you can find out more about how they are used.
Privacy Policy & Cookies - Advertising - About Us - App - Newsletter - Contact Us
Customer Helpline: +44 (0)20 7492 1602
As an Amazon Associate our website receives a commission from qualifying purchases from Amazon.