Yesterday I was invited to a little taste of the new musical & Juliet. The launch event was held at Jack Solomons and was buzzing with excitement and interest. Not many details had previously been known about the production and the big draw so far seems to be the music with all the hit songs […]
Shaftesbury Theatre Tickets, News & Reviews - The Illusionists - & Juliet
& Juliet is the irreverent and fun-loving new West End musical that asks: what if Juliet's famous ending was really just her beginning? What if she... wrote her own story?
& Juliet soars with some of the biggest pop anthems of the last 30 years from acclaimed songwriter Max Martin, including Baby One More Time, Everybody (Backstreet's Back), Love Me Like You Do and Can't Feel My Face, all brilliantly arranged by the Tony and Grammy Award-winning orchestrator Bill Sherman.
This timely and vibrant new musical is directed by Luke Sheppard (In the Heights) with a story by David West Read (Netflix's Schitt's Creek), choreography from Jennifer Weber and set design from Soutra Gilmour.
A riotous comic blast of fun and glorious pop music, & Juliet proves when it comes to love, there's always life after Romeo...
Booking from 2nd November 2019 to 28th March 2020
210 Shaftesbury Avenue, London, WC2H 8DP
Shaftesbury Theatre Seating Plan
Venue and Travel Information
Nearest Tube: Tottenham Court Road
Tube Lines: Central, Northern
Directions from nearest tube: Turn right onto New Oxford Street (past the Dominion) for 200 metres, and then turn right onto Shaftesbury Avenue, where the theatre will be on your left 100 metres down.
Railway Station: King’s Cross St Pancras
Bus Numbers: (Tottenham Court Road Station) 8, 29, 55, 134, 176, 242, 390; (Museum St) 1, 19, 25, 38, 98
Night Bus Numbers: (Tottenham Court Road Station) 134, 176, 242, 390, N8, N29, N35, N41, N55, N68, N98, N121, N253; (Museum St) 25, N1, N19, N38, N207
Car Park: Holborn, Selkirk House Museum Street
Within Congestion Zone: Yes
Venue Facilities: Air conditioned, Bar, Disabled toilets, Infrared hearing loop, Toilets and Wheelchair accessible
The Shaftesbury Theatre London
The theatre was designed for the brothers Walter and Frederick Melville by Bertie Crewe and first opened on 26th December 1911 as The New Prince’s Theatre with a production of The Three Musketeers, and then becoming the Prince’s Theatre in 1914. It had a seating capacity of 2392 and a stage that had a width of 31 feet 10 inches and a depth of 31 feet.
Located near New Oxford Street the theatre was the last to be built in Shaftesbury Avenue. It had considerable success with an 18 week season of operas in 1919 by Gilbert and Sullivan, which were presented by the D’Oyly Carte Opera Company. These became a frequent entertainment at the theatre in the 1920s, interspersed with runs of theatre productions transferred from other venues. The popular Basil Rathbone performed at the Prince’s Theatre in May 1933 when he played the role of Julian Beauclerc in a revival of Diplomacy. A revival of The Rose of Persia played at the theatre in 1935 with The D’Oyly Carte returning in 1942.
The theatre was bought by EMI in 1962 and was named the Shaftesbury Theatre the subsequent year. Broadway productions transferred to the theatre in the 1960s including the musical Gentlemen Prefer Blondes (1962), How to Succeed in Business Without Really Trying (1963) and Little Me (1964).
Part of the ceiling collapsed on 20th July 1973, forcing the closure of the long-running musical Hair, after 1998 performances. The theatre almost fell victim to subsequent redevelopment, but a successful campaign by Equity resulted in the theatre being placed on the ‘Statutory List of Buildings of Special Architectural or Historic Interest’, and in March 1974 the theatre was Grade II listed by English Heritage.
The theatre reopened with the musical West Side Story a year later. Shows in the 1980s included They’re Playing Our Song (1980) and Follies (1987). The 1990s included Kiss of the Spider Woman (1992), Eddie Izzard: Definite Article (1995) and the musical Rent (1998). During the redevelopment of the Royal Opera House in Covent Garden in the late 1990s, the theatre was used as an alternative London venue for performances including Benjamin Britten’s Paul Bunyan.
Just as there is a reason why certain plays and musicals aren’t revived very often (put bluntly, they’re not very good), there’s a reason why songs from the Simon & Garfunkel repertoire are still enjoyed by many people decades after they were released – put just as bluntly, they’re brilliant. It is, therefore, a tall […]
The world’s biggest selling magic spectacular, The Illusionists – Direct From Broadway, will return to London’s West End this summer with a brand new show from Saturday 6th July to Sunday 1st September at the Shaftesbury Theatre. The all-star line-up will see audiences wowed by The Showman James More, The Unforgettable Enzo, The Manipulator Yu […]
& Juliet – the joyous new West End musical that imagines Juliet’s famous ending as just her beginning – announces its cast. Soaring with the music of Max Martin, the acclaimed songwriter of some of the biggest pop anthems of the last 30 years, & Juliet has previously announced that the award-winning Miriam-Teak Lee will […]
& Juliet is the joyous, new West End musical that asks: what if Juliet’s famous ending was really just her beginning? What if she decided to choose her own fate? Soaring with the music of Max Martin, the acclaimed songwriter of some of the biggest pop anthems of the last 30 years, & Juliet is […]