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5-star A Christmas Carol at Middle Temple Hall – Review

A Christmas Carol Scrooge (David Burt)
A Christmas Carol Scrooge (David Burt) Photo -Scott Rylander

How do you make the perfect Christmas show? It’s easy really, you just take an old classic, put it in a truly awesome and appropriate setting, add an amazingly talented cast and suddenly you have Antic Disposition’s production of A Christmas Carol at Middle Temple Hall.

Let’s be honest, we all know the story. Evil moneylender Ebenezer Scrooge (David Burt) is in his cold, miserable counting house on Christmas Eve with only his Clerk, Bob Cratchit (David Hunter) for company when in rushes his nephew Fred (Alex Hopper) to wish him the joy of the season. After a bit of an altercation, Scrooge sends Fred away and shuts up shop for the night. When Scrooge returns to his home, he has a vision of his deceased partner Jacob Marley (Chris Courtenay). Later that night, the vision becomes a reality as Jacob visits Ebenezer and basically warns him to change his ways or else. In an attempt to help his former partner, Marley has arranged for Scrooge to be visited that night by three more spirits – The Ghost of Christmas Past (Katie Lovell), The Ghost of Christmas Present (David Anthony) and a third ghost whose details we won’t go into here.

Over the course of these visitations, Scrooge meets friends, including his old flame Belle (Victoria Hope), learns more about the Cratchit family – Bob, His wife (Andrea Sadler) and their children Martha (Kerry Loosemore), Peter (Dean Riley) and Tiny Tim (Harley Gallacher or Leo Mann) – and hopefully gets a better understanding of the true meaning of Christmas from his ghostly guides. Not to give anything away but the ending involves a giant turkey as big as the boy (Archie Stevens or Miles Roughly) sent to go and buy him.

A Christmas Carol Bob Cratchit (David Hunter) Tiny Tim (LeoMann)
A Christmas Carol Bob Cratchit (David Hunter) Tiny Tim (LeoMann) Photo -Scott Rylander

This is the second version of A Christmas Carol I have seen recently and is the best live version I have ever seen. Every single aspect of this production was perfect right from the start. The adaptation by Ben Horslen & John Risebero has taken Charles Dickens’ original story and treated it with a real respect, ensuring that all of the elements of the original are in the final show as well as adding some marvelous touches – for example the use of well-loved Christmas Carols with more appropriate words – of their own. I loved every aspect of the story and even felt the same chills I had as a child when reading about the visit of the final ghost once more.

John Risebero’s set is not overly complicated but manages to convey every place required to tell the story. Taking place in the round, Directors Ben Horslen and John Risebero use every available inch of the performance space and even when the female characters are wearing those large Victorian hooped skirts, it never seems crowded and still retains a wonderfully intimate atmosphere. The music by Musical Director Christopher Peake was lovely and the four piece band really delivered a lovely accompaniment to the story.

Turning to the actors and I have to give full praise to David Burt who, from the moment he walks on and glares at the carol singers, is the definitive Mr Scrooge. David’s acting is so realistic. At one point, Scrooge was standing near me discussing the fate of Tiny Tim with the Ghost of Christmas Present and, as he turned round, there were tears in his eyes – which had the effect of starting me off again. The rest of the cast are equally as good. As well as their featured roles mentioned in the above paragraphs, they all played a variety of other characters and, for me the best example of this was when the Ghost of Christmas Present took Scrooge around the country to see how Christmas was celebrated in places as diverse as a lighthouse and a mine.

I know we are not really meant to talk about the theatre we see shows in but I have to say Middle Temple Hall was a perfect venue for this show. There is such a wonderful air of history and theatre about the place, even the walk from the auditorium to the bar was amazing.

I’m not sure what more I can say about this production of A Christmas Carol, apart from, to me it is the perfect Christmas show for young and old. No matter how jaded and fed up you may be with the whole holiday season, this production will not only lift you up but fill you with the warm glow of Christmas. I truly believe that this version of A Christmas Carol is now the definitive one – even eclipsing ‘The Muppet’s Christmas Carol’ – and I am already thinking about going to see it next Christmas.

Normally after a show, I will discuss it with my companion but in this case, as soon as it finished and the cast took their well deserved curtain calls, he turned to me and said ‘five stars’ and I am not going to argue with him. In fact, I’m going to end this review by raising a glass of mulled wine and wishing everyone reading this a wonderful Christmas. In the words of Tiny Tim, ‘God bless us everyone!’

5 Star Rating


Review by Terry Eastham

Seen by over 5,000 people and now established as one of London’s most magical festive treats, A Christmas Carol will be performed in the highly atmospheric 16th-century Middle Temple Hall, a location well known to Dickens himself, who studied law at the ancient institution.

West End star David Hunter is to play Bob Cratchit
Olivier-nominated West End actor David Burt returns to star again as Scrooge

David Hunter first rose to fame as a finalist on Andrew Lloyd Webber’s ITV casting programme, Superstar, as he competed to play the role of Jesus in Jesus Christ Superstar. He performed in front of millions, reaching the semi finals and receiving high praise throughout for his honest, dramatic performances. His West End credits include One Man, Two Guvnors (Adelphi Theatre and National Theatre), Tommy (Prince Edward Theatre) and Seussical (Arts). He also had the lead role in The Hired Man (Leicester Curve and Colchester Mercury).

A Christmas Carol Middle Temple Hall London – Production Photos

David Burt is one of the West End’s most respected and in-demand leading men. He has appeared in dozens of notable West End productions, including playing Enjolras in the original cast of Les Misérables, Magaldi in the original cast of Evita, Pontius Pilate in Jesus Christ Superstar and Count Fosco in The Woman in White. David’s other credits include Cats, Chess, The Far Pavilions, Closer to Heaven, Taboo and Kiss Me, Kate, as well as seasons at the National Theatre and RSC. He was nominated for a Best Actor Olivier Award for his performance as Macheath in the RSC’s The Beggar’s Opera.

The rest of the cast are: David Anthony, Chris Courtenay, Alex Hooper, Victoria Hope, Kerry Loosemore, Katie Lovell, Dean Riley, Andrea Sadler, and child actors Harley Gallacher, Leo Mann, Miles Roughley and Archie Stevens.

Creative Team: Directors: Ben Horslen, John Risebero.
Designer: John Risebero. Musical Director: Christopher Peake.
Choreographer: Edward Lewis French. Lighting Designer:
Tom Boucher. Associate Costume Designer: Sophie Howard.

Award-winning Antic Disposition has won critical acclaim for staging visually striking, site-specific productions in spectacular historic buildings, including recent sold-out runs of The Tempest, A Midsummer Night’s Dream and A Christmas Carol in Elizabethan Middle Temple Hall, and Henry V and Romeo and Juliet in the ancient Temple Church.

Following sell-out seasons in 2012 and 2014, A Christmas Carol will play between Tuesday 22 December and Wednesday 30 December 2015.


2 thoughts on “5-star A Christmas Carol at Middle Temple Hall – Review”

  1. This was the second year that we have seen “A Christmas Carol” and this review totally sums up the unique and highly professional production that Antic Disposition have staged. David Burt is brilliant as Scrooge, and portrays the character in a manner that I am sure Dickens would have been proud of. David Hunter complements Burt as a sensitive and caring Bob Cratchit, and demonstrate the vocal skills that saw him do so well on iTV’s Superstar. It is so much better than many high budget shows that rely on glitz and special effects, and it is a privilege to be able to sit so close to the highly talented cast which genuinely makes the audience feel part of the show. Bring on next Christmas!

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