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Reviews of Comedy in London- West End and Off-West End

The Comedy About A Bank RobberyIf you are planning to visit London to see comedy on stage at one of the West End theatres, or a comedy act in one of the many Off West End or Fringe venues, then maybe our reviews section can be of help? Read one of the latest reviews or use the search button to find and view one of our previous reviews. We use a star rating system on our site.

Browse our website for London Theatre Tickets for London West End Theatres. Book tickets for shows, musicals, plays, drama, opera, dance, comedy & more!

The Comedy About A Bank Robbery
For the audience, there’s not a moment’s respite. We chortle and scream, we cackle and squirm, we hoot, we howl and we are ultimately convulsed. Go see it: you will laugh all the way to the bank.
Read the full review...

Sydney & The Old Girl at Park Theatre | Review

November 6, 2019 Last updated: November 6, 2019 11:50 am By John Groves

Miriam Margolyes, Vivien Parry & Mark Hadfield (L-R) in Sydney & the Old Girl at Park Theatre. Photo by Pete Le May

Eugene O’Hare’s second full length play, Sydney and the Old Girl is a wickedly funny, black comedy, showcasing Miriam Margolyes’ talents to the full, whilst also providing meaty roles for the other two actors in this three-handed play. Sydney Stock has lived for over fifty years cooped up with his mother Nell in her grubby East End home. Their only reason for living seems to be because they loathe each other and need to cause each other as much pain as possible, perhaps because of what … [Read more...]

Defective Inspector at The Lion & Unicorn Theatre | Review

November 6, 2019 Last updated: November 6, 2019 12:00 am By Chris Omaweng

Defective Inspector

There came a point during Defective Inspector when I couldn’t help thinking that this would work well in a late evening slot at the Edinburgh Fringe. Laughing Mirror Theatre Company have done the Fringe before, of course - and your reviewer should know, having seen their production White Girls there. This is a markedly different show than White Girls, not least because this can hardly be construed as a portrayal of real events. It also achieves that relatively rare thing (these days, anyway) of … [Read more...]

Mischief Theatre’s Groan Ups at the Vaudeville Theatre

October 16, 2019 Last updated: December 19, 2019 2:33 pm By Peter Yates

L-R - Jonathan Sayer (Simon), Henry Shields (Archie), Charlie Russell (Katie), Henry Lewis (Spencer), Nancy Zamit (Moon). Photo Robert Day.

The trouble with a franchise - and Mischief Theatre is now on it’s 6th (or is it 7th?) show - is that - if you are not careful - it grows a bit stale. Groan Ups has all the accoutrements of the Mischief Theatre brand that we have come to know and love but, honestly, the joke and, yes they are all basically based on the one elongated joke, is wearing a bit thin. The action goes awry, characters act OTT and it ends in farce. The farce in this instance takes hold in Act 3 after the interval. To … [Read more...]

The Glass Elephant – Goodenough Theatre Company | Review

October 13, 2019 Last updated: April 9, 2021 7:52 pm By Chris Omaweng

GoodTheatre Company

Christmas can be a stressful time for many. The soap opera storylines will be as eventful as ever, but seem to hit closer to home, at least for irregular viewers such as yours truly, during the festive period, and there are plenty of people in the world who spend time with people whose presence they would, if they had things their way, rather not be in. Rupert (Tom Campbell-Moffat) has persuaded his wife, Clara (Morgane Richard), with child, to spend Christmas with his family. The matriarch, … [Read more...]

One Man, Two Guvnors at Queen’s Theatre Hornchurch | Review

October 7, 2019 Last updated: October 7, 2019 11:13 am By Chris Omaweng

A good mix of music, comedy, dramatization and storytelling make for an enjoyable and eclectic evening. Set in 1963, One Man, Two Guvnors isn’t, as the title might suggest, a straightforward three-hander, and in all the twists and turns of the plot, there’s much to keep audiences engaged throughout. I must qualify this, however - at the performance I attended, not every punchline landed with the raucous reactions from the audience that I recall from the National Theatre production of the show in … [Read more...]

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