Islington’s King’s Head Theatre presents a series of late-night shows throughout May. As long-time champions of new-writing, these limited-run productions aim to showcase the works of emerging creatives. One of these is writer and director Gur Arie Piepskovitz, who presents his four-hander Earworm. The play explores modern gay relationships and, while the subject matter is nothing new, Piepslobitz proves to be quite the talent as he offers a fresh perspective. This is very much an anti-romantic comedy of sorts.
Guy (Avihud Tidhar) strives for perfection as an ‘alternative’ cabaret performer. As with many artists, he possesses the confidence to perform while also being plagued by self-doubt. He puts himself out there in front of audiences, yet has an almost aversion to criticism and a deep yearning for validation. While many LGBTQ+ plays are about journeys of self-discovery and a celebration of the culture, here we are offered a brutally honest dissection of what it is to be gay in today’s world and an authentic depiction of a breakup and all that comes with it.
Guy’s partner John has just completed his PHD in gay relationships. A dinner party is held to celebrate with the couple, joined by John’s thesis mentor and his new boyfriend. With the drinks flowing, it isn’t long before guards are lowered, and sexual tension permeates. Eventually, the flaws in Guy and John’s relationship come to the fore. Various debates are ignited, allowing Piepskovitz to explore a host of themes. These range from the idea of open relationships to age gaps. The desire for connection and how music can heal are also examined. While the premise means this is a heavily conversational piece, the stellar performances hold our attention.
Avihud Tidhar perfectly captures the vulnerability of Guy, offering a carefully considered, nuanced turn. As John, Brodie Bass also gives a compelling, detailed portrayal. Waylon Jacobs convinces as John’s mentor, while Reece Lewis is pleasingly understated. A bittersweet breakup tale, Earworm is certainly deserving of a longer run, and it will be interesting to see how the play develops going forward.
Review by Jonathan Marshall
Guy and John’s breakup is an anti-love story that begins with Guy, an alternative cabaret artist, searching for the perfect breakup song to cope with his… breakup. His partner, erm, ex, John, is doing his PhD in gay relationships. To celebrate the end of John’s research, they invite his mentor and his new hot potato of a boyfriend. The four share banter, ideas and one too many, leading to sexual tension between the couples and exposing Guy and John’s frustration with their relationship and unfulfilled desires.
When the inevitable breakup unfolds, Guy has to accept it and find the words to lament and celebrate his relationship – eventually, he puts it in a song. The play explores themes such as queer relationships, the struggles of being queer within a hetero- normative society and the constant yearning for a thrill in modern relationships.
EARWORM
King’s Head Theatre
29 and 30 May 2025
