LondonTheatre1

London Theatre: Tickets Reviews | News | West End | Off-West End | UK Touring Productions

Book Tickets for London Shows
  • Home
  • Top Selling Shows
    • Musicals
    • & Juliet
    • Anything Goes
    • Back To The Future
    • Cabaret at the Kit Kat Club
    • Come From Away
    • Dear Evan Hansen
    • Dirty Dancing
    • Frozen The Musical
    • Heathers
    • Jersey Boys
    • Les Miserables
    • Mamma Mia
    • Mary Poppins
    • Matilda the Musical
    • My Fair Lady
    • Moulin Rouge
    • Only Fools and Horses
    • Pretty Woman the Musical
    • Six the Musical
    • The Book of Mormon
    • The Drifters Girl
    • The Lion King
    • The Phantom of the Opera
    • Tina the Musical
    • Wicked
    • Popular Plays in London
      • A Christmas Carol
      • Harry Potter and the Cursed Child
      • The Mousetrap
      • The Woman in Black
      • Witness for the Prosecution
    • London Theatres
      • Seating Plans
      • Adelphi Theatre
      • Ambassadors Theatre
      • Duke of York’s Theatre
      • Fortune Theatre
      • Harold Pinter Theatre
      • Lyceum Theatre
      • New Wimbledon Theatre
      • New Wimbledon Theatre Studio
      • Piccadilly Theatre
      • Richmond Theatre
      • Trafalgar Theatre
  • News
    • Interviews
  • Reviews
  • ATG Tickets
    • Alexandra Theatre
    • Aylesbury Waterside Theatre
    • Brighton Theatre Royal
    • Bristol Hippodrome
      • Bristol Theatre Seating Plan
    • Edinburgh Playhouse
    • Glasgow Theatre Royal
    • Grand Opera House York
    • King’s Theatre Glasgow
    • Kit Kat Club London
    • Leas Cliff Hall
    • Liverpool Empire
    • Manchester Opera House
    • Manchester Palace Theatre
    • Milton Keynes Theatre
    • New Theatre Oxford
    • New Victoria Theatre Woking
    • New Wimbledon Theatre
    • New Wimbledon Theatre Studio
    • Princess Theatre Torquay
    • Regent Theatre Stoke
    • Rhoda McGaw Theatre
    • Richmond Theatre
    • Stockton Globe
    • Sunderland Empire
    • Swansea Arena
    • Victoria Hall Hanley Stoke
  • Dancewear
  • Newsletter
Home » Reviews » Play » Want the Moon present Shadows at the Tristan Bates Theatre

Want the Moon present Shadows at the Tristan Bates Theatre

July 5, 2019 Last updated: July 5, 2019 4:08 pm By Peter Yates

Want the Moon present Shadows
Want the Moon present Shadows

Even the glasses are white. Shadows is set in a bar and the beer kegs, the cupboards, the crates, the cutlery, the wine rack and wine bottles, the limes (yes) and the mop and bucket are all spray-painted white which, in front of a black backdrop, makes for a very nice design feature (no credit on the programme). Ultimately, whether it helps us understand the narrative I’m not so sure. But it’s good to look at.

I do think the production misses a trick though. The white surfaces are effectively used for projection as the show progresses and the time-slip cross-overs between fantasy and reality are marked by lighting changes (Designer Joe Pilling) – stark for reality, warm for what are essentially day-dreams.

White surfaces take colour well and the use of bolder coloured lighting would help us, perhaps, get what is going on more quickly and confidently as the opening sequences of the play do tend to meander. By the time you get your head around what is actually going on you kind of feel you’d like to see those opening sequences again.

Unlike any of the bars I frequent, where you have to use a kind of ten-pound-note semaphore in the crush to get served, this place seems to have virtually no customers at all affording the bar staff the time to play such intriguing games as “Give me a title with, say, ‘Time’ in it.” The thing about games is they can be a tad tedious for those who aren’t playing – and there’s a lot of them in this. But having dealt with that, and getting over the slightly unreal feel of an all-white bar with no customers, this is a really good show.

Ross White is James, an under-manager at the bar, who is supervising newby Nat (Madeline Hatt). These two have a serious spark between them and their uber-natural performances help us to dispel the unreality of the situation. White has a great throw-away style but never throws a line away whilst Hatt is adept at probing and niggling and ferreting into the soul of her boss and, despite being love-lorn, never lets her feisty guard down or betrays her individualistic instincts. Yes, they play games and they eat biscuits and they lark around and stand on the roof terrace and talk about suicide, but what is it between them, what is it that makes a relationship tick, what is that indefinable X factor that tells us that two people are clicking? Or not, as the case may be. White and Hatt are a great dramatic partnership who have the ability to take us into the deep-seated intricacies of boy-meets-girl and give us insights into something, let’s be honest, we all have issues with and unfinished business extant.

Shadows is written by Dan Sareen and it’s a clever, witty and intriguing script that paints a kind of stark landscape with warm bits. At times he gets under our skin but ultimately opens up our hearts. In Jessica Williams, he has found a truly empathetic director who understands that she has two outstanding actors to work with and knows how to let them off the leash and give them the space to explore the language and express the emotions. Good job by all, I would say.

Want The Moon Theatre Company is taking the show to the Edinburgh Fringe this August (2-26 @ Zoo Playground 1) and Shadows is exactly the sort of show that should go down a storm there – though, personally, I would restrict the near constant movement of beer kegs around the stage. Also, a definite no-no for me is the playing of ‘silent’ music on stage: the actors share ear-phones and we sit there and watch them listening to music we can’t hear.

Seriously? Hatt’s character is a wannabe concert pianist who, in the projected sequences, plays a ropey upright badly. Perhaps it’s deliberate, but it didn’t come across that way. These are things, I believe, that might be worth looking at before the Edinburgh venture. It’s definitely an enjoyable show, though and I wish them well.

4 stars

Review by Peter Yates

Nat and James work together, struggling against a possibly imagined attraction, without the space to explore their chemistry. Dissecting the pressures of modern-day romance and the nature of dreams, Shadows sees Nat delve into fantasy, never sure if James is flirting with her, or if they are edging closer to friendship. As her expectations move further away from reality, Nat must try to break away from a life where she feels desperately stuck. When attraction isn’t as simple as love at first sight, how do our brains compensate for our innate desire to be loved?

Written by: Dan Sareen
Directed by: Jess Williams
Produced by: Ellen Harris
Cast: Ross White, Madeline Hatt
Dates and Times:
Tristan Bates Theatre: 2nd- 6th July, 2019
https://www.actorscentre.co.uk/theatre

Tagged With: TristanBates

About Peter Yates

Peter has a long involvement in the theatrical world as playwright, producer, director and designer. His theatre company Random Cactus has taken many shows to the Edinburgh Fringe, the London Fringe and elsewhere and he has been associated with the Wireless Theatre Company since its inception where his short play Lie Detector can be heard: Wireless Theatre Company.

Musicals

Sister Act Tickets
London Theatre 1 and London Theatre One are Registered Trademarks Copyright 2022 www.LondonTheatre1.com
By using our website you’re confirming that you’re happy to accept our use of cookies.
Privacy Policy & Cookies - Advertising - About Us - Newsletter - Contact Us

As an Amazon Associate our website receives a commission from qualifying purchases from Amazon.