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Review of Beauty and the Beast at the Queen’s Theatre Hornchurch

James Lawrence & Daniella Piper - Beauty and the Beast - Queen's Theatre Hornchurch Photo credit Mark Sepple
James Lawrence & Daniella Piper – Beauty and the Beast – Queen’s Theatre Hornchurch Photo credit Mark Sepple

If I was pleasantly surprised by the number of songs and references to various musicals in last year’s pantomime at Queen’s Theatre Hornchurch, this time around it was (almost) all about rock and pop music. Of course, anthems like ‘Don’t Stop Me Now’ and ‘Bat Out of Hell’ fall under the canon of musical theatre, and in this production of Beauty and the Beast, subtle but nonetheless noticeable alterations have been made to the lyrics to suit the storyline. Other times, songs have been truncated from the versions of famed chart songs heard on the radio.

But far from depriving the audience of full renderings of songs, this approach demonstrated that some thought had gone into putting this show together. This was not a case of lazily forcing a narrative around a collection of popular tunes; rather, a mixture of spoken word, music and the usual call-and-response interactions with the crowd combined in such a way that resulted in a hugely enjoyable evening, irrespective of one’s familiarity with the songs, or indeed of pantomime itself.

Not for nothing does the musical director, Dan de Cruz, double up as Monsieur Plinky-Plonk: I’d have preferred it if he were called Monsieur Plinky McPlinkface, but audience participation never stretched as far as inviting suggestions for character names. Set in Paris, there is some exposure to faux French accents, but this is not overdone. The show’s narrator, Charlie Cupid (Oliver Lynes), works hard at maintaining audience interest – Lynes’ stage presence is infectious enough that the response to his opening phrase with every entrance is enthusiastically kept up to the end, something not always witnessed at a panto.

One or two songs could, to be blunt, be removed without affecting comprehension of the plot. But even these are an opportunity for the adult cast to assert themselves as so-called ‘triple threats’ – some marvellous actor-musicianship goes on – and for the ‘young company’, comprised, I am reliably informed, of local schoolchildren, to show they can hold their own amongst professional performers. In the second half, during ‘Shut Up and Dance’, many of the younger members of the audience (for ‘younger’, read ‘prepubescent’) joined in without any prior encouragement, making the song’s title more than a little ironic even before the rest of us were invited to rise from our seats and join in (lyrics were supplied).

Being the unromantic and unsentimental type that I am, I initially sided with the aptly-named Spite (Sarah Mahony), who wanted to thwart the talking and singing about love going on. In the end, however, I could hardly have any qualms with good triumphing over evil. Mahony may have momentarily wowed the audience with saxophone-playing skills, but this opening night audience was a discerning one, and swiftly reverted to boos without being prompted.

Now, pantomime wouldn’t be pantomime without a villain, and pantomime wouldn’t be pantomime without a dame. Here, Betty Bonbon (Oliver Beamish) is endearing and loveable. Personally, I thought the chemistry between Cupid and Soufflé (Molly-Grace Cutler) was more convincing than the one between Amorette, ‘beauty’, (Daniella Piper) and Prince Friedrich, ‘beast’ (James Lawrence).

L-R Oliver Beamish, Daniella Piper, James Lawrence, Molly-Grace Cutler & Young Company Beauty and the Beast Queen's Theatre Hornchurch Photo Credit Mark Sepple
L-R Oliver Beamish, Daniella Piper, James Lawrence, Molly-Grace Cutler & Young Company Beauty and the Beast Queen’s Theatre Hornchurch Photo Credit Mark Sepple

All those chart music numbers, including ‘I Wanna Dance With Somebody’ and ‘Iris’ (the latter famed for that haunting refrain “When everything’s meant to be broken / I just want you to know who I am”), made this version of Beauty and the Beast wholly refreshing.

It’s an annual challenge to present a panto in a fresh and engaging way, and this one certainly stands out as being markedly different from the pantos of yesteryear, whilst retaining many of the distinct characteristics of the genre. The choreography is spirited, the sound balance excellent and a running gag involving anthropomorphism proved enchanting for the children. A unique experience and a resounding success.

5 Star Rating

Review by Chris Omaweng

In the beautiful romantic city of Paris, Prince Friedrich is turned into a hideous Beast by a wicked witch. Can Cupid work his magic and find a great Beauty for him to fall in love with to break the terrible curse? Come along on this magical adventure to see if love really can conquer all.

This festive extravaganza is bursting with some of the best chart-toppers and dancefloor anthems over the decades! These include Call Me Maybe (Carly Rae Jepson), Shut Up And Dance With Me (Walk The Moon), Girls Just Wanna Have Fun (Cyndi Lauper), Bat Out Of Hell (Meatloaf), Here I Go Again (Whitesnake) and many more.

The cast includes Oliver Beamish, William Brand, Dan de Cruz, Molly-Grace Cutler, James Lawrence, Oliver Lynes, Sarah Mahony, Holly Mallett, Daniella Piper and Al Twist. They will be supported by a talented Young Company, a cast of 30 local schoolchildren.

Created by the same team of last year’s smash-hit spectacular Cinderella – it is written by Andrew Pollard, directed by Martin Berry, with set and costume design by Keith Orton, lighting by Prema Mehta and sound by James Cook.

Beauty and the Beast will be performed at the Queen’s Theatre Hornchurch from 30 November – 7 January. Tickets are £12.50 – £29, with discounts for groups and under 26s. To book, call the Box Office on 01708 443333, visit the theatre in person, or go online at queens-theatre.co.uk


6 thoughts on “Review of Beauty and the Beast at the Queen’s Theatre Hornchurch”

  1. Very disappointing. The children that were with us were very bored. Where was the childrens participation? No innuendos for adults. Poor quality story line. Never again. London or Southend are definitely the best theatres to visit……..

    1. Agree that it was disappointing. Just 5 lines of dialogue before bursting into song was too much. And many older songs which the children didn’t know and so couldn’t join in. I supervised numerous toilet breaks as the children weren’t engaged. Where was the Panto cheese? The cast are clearly very talented musicians, but just telling the story through dialogue, acting and jokes would’ve been much more enjoyable than squeezing in songs seemingly for the sake of it.

    2. We have been going to Queens Pantomimes for some Years, and this one was the best Ever! Funny, Colourful and Clever. Each cast member was Great.

      One downside though, why is it so expensive to buy anything in the Queens Theatre?

  2. after having got over the shock of paying £60 to watch such utter rubbish I’m still at a loss as to what I was watching. Having been to many pantomimes before this lacked everything you expect from one, honestly felt like I was at a tacky kids disco. No story and panto sparkle just a mini rock/ pop concert. We left at interval because it was that bad!

  3. Have just returned from taking our for grandchildren to Queens for what was supposed to be a pantomime. Very disappointed it was more musical with no storyline so after many years of supporting Queens at Christmas we shall certainly look elsewhere next year.

  4. Just got back from Beauty and the Beast (the musical) this is not Panto! Eighteen years in a row watching Pantomime at The Queens and in that time we have seen productions of varying quality however they have always followed the traditional Panto path (inc last year although we did have some instruments on stage) and that is why I always take the family along, I want the innuendo the cheese and a big camp wedding to cap it all off.
    Please don’t misunderstand, this company is very talented, its the best singing I have seen in Panto but every couple of minutes is too much. If this musical style is the future for Queens please let the prospective audience know prior to booking, if I want to see a musical or watch a band I will book just that but please don’t hijack traditional Panto.

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