Review of Pecs Drag Kings at Soho Theatre London

Pecs Drag KingsThe Eighties were a magical decade. A decade that started with the Cold War at its height and ended with the fall of the Berlin Wall, taking in the Falklands conflict, the AIDS epidemic, an actor in the White House and Section 28 along the way cannot ever be accused of being dull, can it? Musically, we had the new romantics, synth pop and the start of House music to name but three genres prevalent in the eighties. All this nostalgia must be leading somewhere you are no doubt thinking and in fact, it does. It leads straight to the cabaret bar of the Soho Theatre where the Pecs Drag Kings are in residence giving their own slant on the decade.

Pecs Drag Kings is a roughly eighty-minute long cabaret show hosted by the very talented Cesar Jently (Kit Griffiths) that is a real celebration of some of the queer icons of the 80s. The show starts with a wonderful Queen medley and finishes with Prince and in between pays tribute to many others including David Bowie and George Michael. The performers – Drag King Cole (Temi Wilkie), Mr Goldenballs (HelenaFallstrom), Izzy Aman (Isabel Adomakah-Young), John Travulva (Jodie Mitchell), Loose Willis (Katy Bulmer), Scott Free (Rosie Skan), Thrustin Limbersnake Lauren Steele) and Victor Victorious (Victoria Aubrey) – sing, dance, do stand up and even sweep the stage with real skill.

I don’t want to give too much away in the way of spoilers about Pecs Drag Kings, so not go into too much detail of individual acts in my description below. There is amazing music, dance, stand-up comedy and political discourse – as well as some interesting, and rather worrying, comparisons between that decade and the age in which we live. Joint directors Celine Lowenthal and Temi Wilkey have really done their research. All of the tribute acts are really authentic in look, style and movement. My personal favourite was the boy band who, like the originals were fantastically choreographed with some of the cheesiest moves its possible to see on a stage.

At the back of the show, there was, for me an interesting point of seeing the world from a woman’s perspective. Male pop stars were not just cheesy in those days but, were actually quite obscene – the amount of crotch grabbing and thrusting going on was really excessive but actually fairly tame when compared to the ‘real’ performers of the time. Something I had never realised before but seeing women, dressed as men doing it really brought the idea home to me.

As well as the music, the eighties was a fascinating time politically. For me, there was slightly too much politics, Also, as someone who was around during the decade under discussion, I feel it is a bit too easy to score political points by reducing events to a series of soundbites. To be honest, though, I really wanted lots more music. However, over the course of the production, the madness of the political situation contrasting with the hedonism of the music made for a thought-provoking show.

Having spent a good many years watching drag queens go about their business, I did go into the theatre thinking I had a pretty good idea what I was going to see. However, I was really surprised by the professionalism and talent of the Pecs Drag Kings. Yes, not all of it was right for me, but the awesome easily outdid the iffy and I The show is a must-see for anyone that likes a bit of nostalgia, great entertainment and the best decade of music in the history of the world. A fantastic show, brilliantly performed and if you don’t walk back out into Soho with a smile on your face, a song on your lips and some quite intense thoughts in your mind, I will be really surprised.

5 Star Rating

Review by Terry Eastham

Pecs Drag Kings return with the hotly anticipated encore of their sell-out, smash hit production of Pecs: The 80s Show. This cabaret extravaganza is transferring from East End LGBT super-pub The Glory to Soho Theatre for a week’s run from 4th to 9th December.

The 80s Show was written as a direct response to the political events of 2016, drawing parallels between the conservatism then and the encroaching rise of fascism that we faced at the beginning of last year. The 80s gave rise to a wealth of activist movements and, in this show, Pecs draw upon these movements to inspire audiences and call them to action.

The show pays tribute to the many queer icons lost in 2016 including; David Bowie, George Michael and Prince. The show is the fitting political platform to pay tribute to performers loved and lost in 2016, reflecting on the legacy and impact they had upon queer culture.

Co-Directors Celine Lowenthal and Temi Wilkey (who also stars in the show), say “this cabaret pays tribute to the beloved queer icons that shaped and changed our future.”
Cast: Kit Griffiths, Katy Bulmer, Temi Wilkey, Jodie Mitchell, Helena Fallstrom, Rosie Skan, Lauren Steele, Vic Aubrey, Isabel Adomakah- Young Co-Produced by Daisy Hale and Ellen Spence.

PECS: THE 80’S SHOW
Mon 4 – Sat 9 Dec 2017, 9.15pm
Soho Downstairs
http://www.sohotheatre.com/

1 thought on “Review of Pecs Drag Kings at Soho Theatre London”

  1. One might argue, that while superficial cabaret has its merit and its place, there is enough of that on the market. This is a group of intelligent young women/people, why dumb themselves down? They are using their platform and their art to express themselves, their political and social views and to unapologetically demand change in a fun, sexy, and provocative way (and to a great soundtrack!). Art and performance are about escapism and fantasy, but they can and should also be about reflection, challenging ideas and opening up conversation. Cabaret has a history of, and arguably, it’s entire purpose is to be subversive and to confront the status quo in an entertaining manner.

    This isn’t an attack on your personal proclivity towards a perhaps less politically charged performance, just expressing why that is the aspect of the show that I found most engaging. I do appreciate a differing of opinion

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