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The Shakespeare Revue at Richmond Theatre – Review

The Shakespeare RevueThe best bit about The Shakespeare Revue, currently at Richmond Theatre, is the talent on the stage. Their performances awoke in me a strong desire to return to the original and re-read more of Shakespeare.

The original production in 1994 at the Barbican was devised by Christopher Luscombe and Malcolm McKee for the Royal Shakespeare Company. McKee here is director and MD of this touring production, and in this show is the consummate professional on stage on the piano throughout.

Lizzie Bea is an upcoming star of the future. A member of the National Youth Theatre and National Youth Music Theatre, she has a strong presence that stands out without overshadowing. I felt for her when she and Anna Stolli, with her beautiful soaring soprano, tried to get the Richmond audience to sing along to a panto style-song, and even to get the two halves of the theatre to compete. Alex Morgan and Alex Scott Fairley are also talented performers who showed a strong mastery of the material and the vocals. It was truly endearing to observe the heroic commitment of all four cast members.

Richmond should have been propitious hunting ground in terms of audience profile, with presumably a high literacy in terms of all things Shakespeare, so it was surprising that the cast did not do a single curtain call. Perhaps the popularity of shows such as The X Factor and Britain’s Got Talent, on screens annually since 2004 and 2007, has changed audience expectations of the revue format. And this is specifically revue, not variety.

Certainly in the 1990s it was a fresh and witty idea to turn a national institution into a series of revues – the magic “S” word works in almost any context. Tragedies such as Hamlet and Macbeth, and their orgiastic series of deaths, naturally lend themselves to comedy. The parts of The Shakespeare Revue that exploit this are brilliant and have stood the test of time. It is also lovely for those who remember the originals to have sketches from Beyond the Fringe and Monty Python. The self-parody of the acting profession was also amusing and enlightening. The show brings a concept that seems at times almost pre-war, laughing into the 21st century.

There were few costume changes. The day dress in the first half gave the curiously intimate feel almost of being in the rehearsal room. Evening dress in the second half lifted the rather spartan, minimalist set. It was lovely to hear genuine classics such as ‘Brush Up Your Shakespeare’ and ‘Let’s Do It’, reminding the audience of just how irreplaceable the talents of Noël Coward and Cole Porter are.

For contemporary revue to stand a chance against the competition in theatre, on television and online, it does however need to be edgy in its comedy, in its prurience or in its dance and preferably all three. The Shakespeare Revue stays within safe boundaries in all three areas. Some content was updated to reference characters such as Donald Trump and the US election. But perhaps with so much challenging material on our television screens at the moment, a bit of old-fashioned, predictable comedy at the theatre is to be welcomed.

3 Star Review

Review by Ruth Gledhill

Shakespeare Revue
Richmond Theatre
The Green, Richmond, TW9 1QJ
Mon 7 – Sat 12 November 2016: 7.30pm
Sat and Wed Matinee: 2.30pm

Buy Tickets Here


  • Ruth Gledhill

    Ruth Gledhill, on Twitter @ruthiegledhill, contributes regularly with reviews for London and regional shows, as well as reporting on press launches. Ruth Gledhill has worked on The Times from 1987 to 2014. Before that she was a news reporter and feature writer on The Daily Mail. She wrote her first theatre review, Tennessee Williams 'Cat on a Hot Tin Roof', while serving indentures at The Birmingham Post & Mail. After leaving the Midlands in 1984 she decided to concentrate on news. She is delighted to be able to revive her love of writing about the stage as a critic for London Theatre. Public profile http://journalisted.com/ruth-gledhill

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