Wicked the Musical Tickets for the Apollo Victoria Theatre

Description

Tickets for Wicked the musical are some of the most popular booked for a show in London’s West End.

Book your chosen seats using our live interactive seating plan for Wicked at the Apollo Victoria Theatre. Following your online purchase via a secure booking link, a confirmation email will be sent to you, so that you can relax and look forward to seeing one of the favourite musicals in London.

Wicked, the West End and Broadway musical sensation, is already the 9th longest-running musical in London theatre history. Winner of over 100 major awards, including three Tony Awards and two Olivier Awards, the classic musical has now been seen by 10 million people in London alone.

‘Packed with wit, storming songs and beautiful costumes’ (The Guardian), Wicked imagines an ingenious backstory and future possibilities to the lives of L. Frank Baum’s beloved characters from ‘The Wonderful Wizard of Oz’ and reveals the decisions and events that shape the destinies of two unlikely University friends on their journey to becoming Glinda The Good and the Wicked Witch of the West.

Wicked London Tickets for Wicked London Musical

Wicked musical at London’s Apollo Victoria Theatre. Booking to 28th November 2020. Evening performances Monday to Saturday at 7.30pm and Matinees Wednesday and Saturday at 2.30pm. Running Time of 2 hours 45 minutes. Age Restrictions: Recommended for ages 7 and over (children under 4 not admitted).

Apollo Victoria Theatre, 17 Wilton Road, London, SW1V 1LG

Wicked Cast

• Nikki Bentley – Elphaba
• Helen Woolf – Glinda
• Alistair Brammer – Fiyero
• Kim Ismay – Madame Morrible
• Andy Hockley – The Wonderful Wizard of Oz
• Natasha Ferguson – Nessarose (Maternity Cover)
• Carina Gillespie – Nessarose
• Simeon Truby – Dr Dillamond
• George Ure – Boq
• Laura Pick – Standby for Elphaba
• Lisa-Anne Wood – Standby for Glinda

Wicked Company

• Chanelle Anthony – Ensemble
• Meg Astin – Swing
• Rebecca Botterill – Swing, Elphaba U/S
• Michael Colbourne – Ensemble, Fiyero U/S
• Lewis Easter – Swing
• Nolan Edwards – Ensemble
• Kerry Enright – Ensemble, Madame Morrible U/S
• Rebecca Gilliland – Ensemble, Elphaba / Nessarose U/S
• Lucie Horsfall – Ensemble
• Nicole Lupino – Ensemble
• Maggie Lynne – Ensemble, Nessarose U/S
• Stuart MacIver – Swing, Doctor Dillamond U/S
• Carl Man – Ensemble, Fiyero U/S
• Rhidian Marc – Ensemble, Doctor Dillamond/Wizard U/S
• Jessica-Alice McCluskey – Ensemble, Madame Morrible U/S
• Joanna Sawyer – Ensemble, Glinda U/S
• Tonye Scott-Obene – Ensemble, Chistery
• Scott Sutcliffe – Ensemble, Boq U/S
• Genevieve Taylor – Ensemble, Madame Morrible U/S
• Grant Thresh – Swing, Dance Captain
• James Titchener – Ensemble, Assistant Dance Captain
• Libby Watts – Swing, Dance Captain
• Bryony Whitfield – Swing
• Chad Wilder – Ensemble
• Dickie Wood – Ensemble, Boq U/S
• Chiarina Woodall – Ensemble
• Tom Woollaston – Swing

Creative Team

• Stephen Schwartz – Music / Lyrics
• Winnie Holzman – Book
• Joe Mantello – Director
• Wayne Cilento – Musical Staging
• Eugene Lee – Scenic Designer
• Susan Hilferty – Costume Designer
• Kenneth Posner – Lighting Designer
• Tony Meola – Sound Designer
• Elaine J. McCarthy – Projection Designer
• Tom Watson – Hair and Wig Designer
• Joe Dulude II – Make Up Designer
• Stephen Oremus – Music Supervisor / Arrangements
• William David Brohn – Orchestrations
• Alex Lacamoire – Music Arrangements
• James Lynn Abbott – Dance Arrangements
• Gregory Maguire – Author of Original Novel
• Edward Pierce – Associate Scenic Designer
• Lisa Leguillou – US Associate Director
• Mark Myars – US Dance Supervisor
• Petra Siniawski – UK Associate Director
• Hannah Toy – UK Resident Dance Supervisor
• James Draisey – UK Music Supervisor
• Adam Rowe – Musical Director
• Jim Arnold CDG – Casting Director
• Richard Bullimore – UK Production Manager
• Nick Salmon & Nia Janis for Playful Productions – UK General Management
• 321 Theatrical Management – Worldwide Management

Wicked Review By Terry Eastham
My final piece of advice for you then – watch The Wizard of Oz, go and see Wicked – then watch The Wizard of Oz once more. You will realise that your perception of the film may not have been changed for the better but it has been changed for good!