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MADHOUSE re:exit in new piece of theatre in East London

Madhouse - Credit Michael Wharley
Madhouse – Credit Michael Wharley

Learning disabled artists campaign and provoke in a striking new piece of theatre in East London.

This March, award-winning theatre company Access All Areas will present MADHOUSE re:exit – an interactive, immersive experience at Shoreditch Town Hall, inspired by the institutionalisation of people with learning disabilities in the UK. This innovative production will then transfer to the Lowry’s festival Week 53 in May.

Set in a corporate care facility that promises a revolution in social services, five learning disabled artists will take the audience on a fantastical, disruptive journey that explores what institutions mean to people with learning disabilities today.

With a refusal to be silent, and a history of being ignored, these artists will reside in a maze-like institution, growling to be heard, and waiting for a revolution that is forever promised. Illusionist David Munns questions whether the Victorian label of freak persists today; choreographer DJ Hassan spins between joy and loneliness; Dayo Koleosho asks how easy it is for learning disabled people to live independently; Imogen Roberts celebrates the ancient Olmec tribe who worshipped those with Down Syndrome as gods; and acclaimed performance poet Cian Binchy imagines himself as London’s oldest baby.

Binchy, who was the autism consultant on The Curious Incident of the Dog in the Night-time and whose autobiographical show The Misfit Analysis is now touring the world, began to respond artistically to how government cuts effect his life after Theresa May was confronted by a voter with a learning disability on the campaign trail. For Binchy, this now infamous exchange highlighted how little the government understands the support needs of people with learning disabilities.

Binchy comments, People with learning disabilities aren’t listened to. There isn’t the right support for people like me with milder learning disabilities. We used to be locked away in institutions for life. Now we’re just stuck at home, and in some ways it’s like our bedrooms have become like institutions because we’re stuck there with nothing to do. We’re just ignored, and treated like we don’t exist.

Over two years, Access All Areas has been working with people with learning disabilities, both professional artists and community participants, to learn about how previous generations of people with learning disabilities were treated, and to respond to how government policy affects people with learning disabilities today. MADHOUSE re:exit has built on the legacy of Mabel Cooper, a learning disabled resident of a long-stay hospital, who campaigned to have these institutions banned in the UK and pressed the button that blew up one of the last of these hospitals.

Access All Areas will stage unique pop-up performances linked to MADHOUSE re:exit around London before the main performances in March. Cian Binchy will appear at Duckie at The Royal Vauxhall Tavern on Saturday 3rd February, DJ Hassan at The Places’ Resolution Festival on Monday 19th February and Imogen Roberts at Steakhouse Live Festival 2018 on Sunday 25th February.

Artistic Director of Access All Areas, Nick Llewellyn, comments The history of the institutionalisation of people with learning disabilities being locked away in long-stay hospitals is a very recent history, with the changes that were long fought for being forgotten and the progress being vanished from the public consciousness. With MADHOUSE re:exit, we cross-reference the past with our current climate and the lack of holistic support structures for people with learning disabilities. We examine how the four walls of the hospitals where people were locked away from society are now being replaced with the four walls of people’s bedrooms, as they have a lack of opportunities for engagement or support. We show five different artists’ experiences of contemporary confinement, whilst finding parallels with the past. Defiantly different (The Guardian on Access All Areas).

MADHOUSE re:exit has been developed with the Barbican, Shoreditch Town Hall, The Lowry, Battersea Arts Centre, Wellcome Trust, Arts Council England, and the Open University.

MADHOUSE re:exit
Performance Dates Tuesday 13th – Wednesday 28th March 2018 (not 17th, 18th, 25th)
7pm, 7.30pm, 8pm, 8.30pm, Saturday 24th & Wednesday 28th March 2018 1.30pm, 2pm, 2.30pm

Running time 90 minutes
Age Guidance 12+
Twitter @AAATheatre

Artistic Director Nick Llewellyn
Executive Producer Patrick Collier
Assistant Producer Alex Legge
Designer Jo Scotcher
Production Manager Ian Moore
Sound Design Jethro Cooke
Digital Design Nathan Theys
Costume Design Carley Hague
Choreographer for Clipped Ita O’Brien
Dramaturg Max Barton

Performers/Creatives: Cian Binchy, Imogen Roberts, DJ Hassan, Dayo Koleosho, David Munns, Jess Mabel-Jones, Lesley Ewen, Hayley Hill and David Thackeray

Location Shoreditch Town Hall, 380 Old Street, London EC1V 9LT
Box Office £15, £12 concessions, £10 per person for groups of 10+
Available from Shoreditch Town Hall Box Office and
www.shoreditchtownhall.com, 02077 396 176.

The Lowry Friday 18th – Monday 28th May 2018
www.thelowry.com, 0843 208 6000

Pop-up Performances
Cian Binchy Duckie at The Royal Vauxhall Tavern
Saturday 3rd February 2018
http://www.duckie.co.uk/

DJ Hassan Resolutions Festival
Monday 19th February 2018
https://www.theplace.org.uk/

Imogen Roberts Steakhouse Live Festival 2018
Sunday 25th February 2018
http://www.steakhouselive.com/

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