Sonia Friedman Productions, Scott M. Delman and Tulchin Bartner Productions present: The National Theatre of Scotland and Live Theatre production of OUR LADIES OF PERPETUAL SUCCOUR – Adapted by Lee Hall from the novel THE SOPRANOS by Alan Warner.
Directed by Vicky Featherstone; Music Sourced, Arranged and Supervised by Martin Lowe. Designed by Chloe Lamford; Choreographed by Imogen Knight; Lighting by Lizzie Powell. Sound by Mike Walker. Featuring the songs of ELO.
Following a critically-acclaimed opening at the Edinburgh Festival Fringe, subsequent UK tour and sell-out run last summer at the National Theatre, Our Ladies of Perpetual Succour opens in the West End in May 2017 at the Duke of York’s Theatre. Vicky Featherstone’s smash-hit production of Lee Hall’s musical adaptation of Alan Warner’s The Sopranos reunites original cast members, opening on 15th May, with previews from 9th May. With tickets from just £10 and all previews priced at £30 and under, over 30,000 tickets will be priced at £30 and under throughout the run. Tickets go on sale to the public from 31st January, with priority booking from 27th January.
From the creator of Billy Elliot (Lee Hall) comes the uplifting and moving story of six Catholic school girls from Oban, let loose in Edinburgh for the day. Funny, raucous and heart-breaking, Our Ladies of Perpetual Succour is adapted from Alan Warner’s brilliant novel about six young friends on the cusp of change.
Featuring, amongst others, the songs of ELO, Our Ladies is a glorious anthem to friendship, youth and growing up disgracefully. Prepare thyself for 24 hours of holy chaos. Contains singing, hilarity, sambuca and strong language.
Duke of York’s Theatre
St Martin’s Lane, London, WC2B 4BG
- Sonia Friedman Productions and the Almeida Theatre are pleased to announce the West End transfer of INK, a new play by James Graham, directed by Almeida Artistic Director Rupert Goold.
- Featuring Bertie Carvel as Rupert Murdoch and Richard Coyle as Larry Lamb.
- Over 20,000 tickets for the West End run will be on sale at £20 or less with tickets at all performances from just £10.
Fleet Street. 1969. The Sun rises. A young and rebellious Rupert Murdoch asks the impossible and launches The Sun’s first editor’s quest: to give the people what they want. No matter the cost.
Following a sell-out season at the Almeida, Ink, written by James Graham (This House) and directed by Rupert Goold (King Charles III), transfers to the Duke of York’s Theatre for a strictly limited season.
With a cast featuring Bertie Carvel (Doctor Foster, Matilda) and Richard Coyle (The Associate, The Lover), this ruthless, red-topped new play leads with the birth of this country’s most influential newspaper.
James Graham said: “It’s been such a creatively rewarding experience, building this show at the Almeida. I’m in absolute awe of our actors and the creative team, led by Rupert. And grateful to the audiences who’ve been coming and supporting the work. After being given the chance to revive This House in the West End earlier this year I think it’s really exciting to see so many new and politically-engaged plays being given the chance to find a wider audience.”
Rupert Goold said: “I’m thrilled the Almeida’s production of Ink will transfer to the West End this autumn and that we are able to share James Graham’s brilliant play, together with Bunny Christie’s ingenious set design and our sensational company of actors, with a wider audience. Ink is a play about ambition, truth and the power of the press – and for that reason it has never felt a more timely and significant story to tell.”
Bertie Carvel’s theatre credits include: Bakkhai; Rope (for the Almeida); The Hairy Ape (The Old Vic); Damned by Despair; The Man of Mode; Life of Galileo; Coram Boy (National Theatre); Doctor Dee (Manchester International Festival); Matilda: The Musical (RSC/West End/Broadway); The Pride (Chichester/UK tour); Parade (Donmar Warehouse); Faustus (Etcetera Theatre); Professor Bernhardi; Rose Bernd (OSC/Arcola/Dumbfounded Theatre); Macbeth (Union Theatre/En Masse); Revelations (Hampstead Theatre); and as a director, Strife (Chichester). Television includes: Doctor Foster; Coalition; The Wrong Mans; Jonathan Strange & Mr Norrell; Babylon; Restless; Hidden; The Crimson Petal & The White; Just William; Sherlock; Midsomer Murders; Waking The Dead; Primeval; John Adams; Doctor Who; Holby City; The Genius of Beethoven; Bombshell; Hawking. Film includes: Les Misérables. Bertie trained at RADA and got his first job in the BBC Radio Drama company, with whom he has performed in over fifty plays.
Richard Coyle’s theatre credits include: Macbeth (Park Avenue Armory); Polar Bears; After Miss Julie; Proof (Donmar Warehouse); The Lover/The Collection (West End); Look Back In Anger (Theatre Royal PRESS RELEASE: 17 July 2017 Bath); Don Carlos (Crucible, Sheffield/West End); The York Realist (Royal Court/West End). Television includes: Hard Sun; Born to Kill; The Fall; The Collection; AD; Crossbones; Life of Crime; Covert Affairs; Going Postal; Whistleblowers; The History of Mr Polly; Cracker; The Best Man; Gunpowder, Treason and Plot; Strange; Coupling. Film includes: The Food Guide to Love; Pusher; Grabbers; W.E.; 5 Days of War; Prince of Persia; Franklyn; A Good Year; The Libertine; Happy Now; Young Blades; Topsy-Turvy; Human Traffic; Jane Eyre.
Ink is James Graham’s Almeida debut. His work for theatre, television and film includes This House, which had two sell-out runs at the National Theatre, and a run at the Garrick Theatre in the West End, was broadcast to cinemas internationally by NT Live and will tour the UK early 2018; Finding Neverland (book) on Broadway; Privacy and The Vote (broadcast live on television on election night 2015) at the Donmar Warehouse; Coalition for Channel 4; Monster Raving Loony for Theatre Royal Plymouth and Soho Theatre, and The Whisky Taster at the Bush Theatre. He remains the writer in residence at the Finborough Theatre. His first feature film X+Y for BBC Films was selected for the Toronto International Film Festival and the London Film Festival before an international cinema release in Spring 2015. James has been commissioned to write a TV drama set around the events of the 2016 Referendum and a film adaptation of 1984.
Rupert Goold is the Almeida’s Artistic Director where he has previously directed Richard III, which was broadcast live to cinemas around the world in July 2016, Medea, The Merchant of Venice, King Charles III and American Psycho, which opened on Broadway in April 2016. He was Artistic Director of Headlong from 2005 until 2013 where his work included The Effect, ENRON, Earthquakes in London and Decade.
Other theatre credits include Made in Dagenham in the West End; The Last Days of Judas Iscariot at the Almeida; Macbeth at Chichester Festival Theatre, in the West End and on Broadway; and No Man’s Land at The Gate, Dublin and in the West End. He has twice been the recipient of the Laurence Olivier, Critics’ Circle and Evening Standard Awards for Best Director. He was Associate Director at the Royal Shakespeare Company from 2009 to 2012 and was Artistic Director of Northampton Theatres from 2002 to 2005. On film he directed the BAFTA nominated Richard II, part of The Hollow Crown, and Macbeth for the BBC, feature True Story, starring James Franco and Jonah Hill, and an adaptation of his production of Mike Bartlett’s King Charles III for BBC Two. Rupert was awarded a CBE for services to drama in the 2017 New Year’s Honours.
Writer James Graham
Director Rupert Goold
Design Bunny Christie
Lighting Neil Austin
Sound & Composition Adam Cork
Video Jon Driscoll
Choreography & Movement Direction Lynne Page
Casting Anne McNulty CDG
Full casting to be announced.
Fleet Street. 1969. The Sun rises.
Australian newspaper magnate Rupert Murdoch, eager to disrupt the sanctified traditions of Fleet Street, and against all odds launches what will become this country’s most influential newspaper.
His first editors request – Give the people what they want. And so it began.
Dates: Saturday 9 September 2017 – Saturday 6 January 2018
Opening Night: Tuesday 19 September, 7pm
Performance Times: Monday – Saturday at 7.30pm, Thursday and Saturday at 2.30pm
Ticket Prices: £10 – £65
Preview ticket prices: £10 – £55
Premium tickets available.
Social media handles:
Facebook: (url: Facebook.com/inktheplay)
Duke of York’s Theatre
45 St Martin’s Lane, London, WC2N 4BG
Booking From: 9th Sep 2017
Booking Until: 6th Jan 2018
Tickets from £13.00
Book Tickets from SeeTickets (good for mid-range tickets)
Following a critically acclaimed, sold-out season at the Almeida in 2016-17, Robert Icke’s new adaptation of Mary Stuart transfers to the Duke of York’s Theatre in London’s West End from Saturday 13 January for a limited run. The production will then visit Theatre Royal Bath from Wednesday 4 – Saturday 14 April, Salford Lowry from Tuesday 17 – Saturday 21 April and Cambridge Arts Theatre from Monday 23 – Saturday 28 April 2018.
Schiller’s political tragedy takes us behind the scenes of some of British history’s most crucial days. Playing both Elizabeth I and Mary Stuart, Juliet Stevenson (Hamlet) and Lia Williams (Oresteia) trade the play’s central roles, decided at each performance by the toss of a coin.
★★★★ Sunday Times, The Times, Independent, Evening Standard, Daily Mail
For every performance of Mary Stuart in the West End, 25 top price tickets will be available at £25 for those aged 25 and under. These will be available to buy in person at the Box Office.
Robert Icke previously directed Hamlet, Uncle Vanya, Oresteia, Mr Burns and 1984 for the Almeida and The Red Barn for the National Theatre. Mary Stuart is produced by Fiery Angel (Kenneth Branagh Theatre Company – Plays at the Garrick, The 39 Steps) and the Almeida (London Theatre of the year 2016 – Hamlet, Bakkhai, Richard III, American Psycho, King Charles III, Oil and Chimerica).
Juliet Stevenson is one of Britain’s leading actors. She has worked extensively for the Royal Shakespeare Company, the National Theatre and the Royal Court, winning an Olivier award for her performance as Paulina in Death and The Maiden in 1991. Most recent theatre credits include starring roles in Mary Stuart and Hamlet (both directed by Robert Icke, the latter currently playing in the West End) and of course Beckett’s Happy Days at The Young Vic which played to huge critical acclaim and due to popular demand returned for a second run. Her films include Truly, Madly, Deeply, Bend it Like Beckham, When Did You Last See Your Father, Being Julia, Pierrepoint, Mona Lisa Smile and Diana and Departure. Recent television work includes starring roles in Williams brothers’ thriller One of Us for BBC1 and Sky Living’s supernatural thriller The Enfield Haunting, as well as playing series regulars on two series of Atlantis and The Village. Other television work includes Place of Execution, The Accused, The Hour and White Heat. Upcoming releases include feature film Let Me Go. In addition to
her Olivier award, Juliet has been nominated a further four times and is four times BAFTA nominated for her film and television work. She was awarded a CBE in 1999.
Lia Williams most recently appeared in the Almeida’s productions of Mary Stuart and Oresteia (Olivier Award nomination for Best Actress) as well as Harold Pinter’s Celebration. Other theatre credits include The Revengers’ Comedies in the West End (Critics Circle Most Promising Newcomer Award, Olivier Award nomination for Best Comedy Performance), Old Times in the West End, Arcadia and Skylight on Broadway, at the National Theatre and in the West End (Tony and Olivier Award nominations for Best Actress), Earthquakes in London, The Hothouse and Mappa Mundi at the National Theatre, Oleanna, King Lear and My Child at the Royal Court, The Homecoming at the Gate Theatre, Dublin, in the West End and on Broadway, and The Lover and The Collection at the Donmar Warehouse. Her television credits include Strike: Silkworm, The Missing, The Crown, Secret State, Doc Martin, May 33rd (BAFTA nomination for Best Actress), The Russian Bride, Imogen’s Face, A Shot Through the Heart, Flowers of the Forest, Seaforth and Mr Wroe’s Virgins. Film includes The Foreigner, Jonathan Toomey, The King is Alive, Different for Girls, The Fifth Province, Firelight, Dirty Weekend and La Suite Blanche-Neige. As Director, her credits include The Match Box for the Liverpool Playhouse and the Tricycle Theatre and films Feathers, The Stronger (BAFTA nomination for Best Short Film), Dog Alone and the feature documentary Nanabozhung.
Robert Icke is a writer and theatre director. He is currently Associate Director at the Almeida where his work includes adapting and directing Mary Stuart, Uncle Vanya, Oresteia (also West End) and 1984 (co-created with Duncan Macmillan, also Broadway, West End, National and International tours). As director, his productions include Hamlet (starring Andrew Scott, also West End), The Fever, Mr Burns (Almeida), The Red Barn (National Theatre), Boys, Romeo and Juliet, Decade (Headlong, where he was Associate Director until 2013). For Oresteia, Robert won Best Director in the Critics Circle and Evening Standard Theatre Awards in 2015, and the Olivier Award for Best Director in 2016.
Adaptation and direction Robert Icke
Set and Costume Design Hildegard Bechtler
Lighting Jackie Shemesh
Sound Paul Arditti
Video Tim Reid
Casting Julia Horan CDG
Cast includes: Juliet Stevenson (Elizabeth I and Mary Stuart) and Lia Williams (Elizabeth I and Mary Stuart). Further casting to be announced.
Mary Stuart is presented by Fiery Angel, Almeida Theatre, Gavin Kalin Productions and Howard Panter.
BOX OFFICE INFORMATION
Duke of York’s Theatre
St Martin’s Lane
London WC2N 4BG
Dates: Saturday 13 January 2018 – Saturday 31 March 2018
The Duke of York’s Theatre London
Duke of York’s Theatre Seating Plan
Venue and Travel Information
45 St Martin’s Lane, London, WC2N 4BG
Nearest Tube: Leicester Square
Tube Lines: Piccadilly, Northern
Directions from nearest tube: (5mins) Take Charing Cross Road to St Martin’s Court, head down until the end and then take a right onto St Martin’s Lane until you reach the theatre on your right.
Railway Station: Charing Cross
Car Park: Chinatown
Duke of York’s Theatre
Built for Frank Wyatt and his wife Violet Melnotte, The Duke of York’s theatre opened on 10th September, 1892 with Wedding Eve. First named Trafalgar Square Theatre, and subsequently shortened to Trafalgar Theatre, and then the following year to The Duke of York’s Theatre to honour the future King George V.
In 1900, Jerome K Jerome’s Miss Hobbs and David Belasco’s Madame Butterfly were staged, which was seen by Puccini, who later turned it into the well-known opera of the same name.
In the late 1970s the theatre was purchased by Capital Radio and it closed in 1979 for refurbishment. Opening in February 1980 with the first production under Capital Radio being Rose, starring Glenda Jackson.
The Ambassador Theatre Group bought the theatre in 1992 coinciding with London’s hottest show, The Royal Court’s production of Ariel Dorfman’s Death and the Maiden. A number of successful productions followed including Richard O’Brien’s The Rocky Horror Show – which celebrated its 21st Birthday in the hugely successful Royal Court Classics Season in 1995.
The Duke of York’s played host to the Royal Court and the highly acclaimed co-production of The Weir, running for over 2 years and winning the 1999 Olivier Award for Best New Play. It has also had the sell-out run of Stones In His Pockets, which was the winner of the 2001 Olivier awards for Best Comedy and Best Comedy Actor.