
Top Hat – New Wimbledon Theatre | Review
Enthralling, electrifying, energising – this show puts a smile on your boat. Part Strictly Come Dancing, Fawlty Towers, and Kiss
Top Hat – New Wimbledon Theatre | Review Read More »

Enthralling, electrifying, energising – this show puts a smile on your boat. Part Strictly Come Dancing, Fawlty Towers, and Kiss
Top Hat – New Wimbledon Theatre | Review Read More »

I went to the Coronet in Notting Hill to see the leading Japanese contemporary dance company perform Naraku (2020). This
Naraku (Abyss) – The Coronet Theatre | Review Read More »

They were together in The Jewel in the Crown (1984) and now they are reunited forty-one years later as indubitably
Creditors – Orange Tree Theatre | Review Read More »

To get a handle on Handel, go to the Handel Hendrix House, 25 Brook Street, London W1K 4HB. Here you
Semele – Opera Holland Park | Review Read More »

I was born on the 14th August 1960 in the Royal Borough of Kensington (as it then was until merger
Yes I am! – Riverside Studios | Review Read More »

Finding new ways to present the classics is both challenging and necessary, so Shaw’s 2020 pairing of two one-act plays
Shaw vs Chekhov: Theatre at the Tabard | Review Read More »

My first conscious memory of the music of Ludwig van Beethoven (1770-1827) was in the summer of 1976 when as
Beethoven: I Shall Hear in Heaven – Opera Holland Park | Review Read More »

Unimprovable in a word. That’s my verdict on the National Ballet of Japan’s Giselle at Covent Garden yesterday. Marking the
National Ballet of Japan: Giselle – Royal Opera House Read More »