When talking ballet, there are certain names that should always be mentioned and noted; Sergei Diaghilev is one of these. The Russian ballet impresario created Ballet Russes, and arguably brought Russian Ballet to Western Europe with the first independent ballet company not associated with a national opera.
Nowadays, many of Diaghilev’s ballets are still in the repertoire of ballet companies around the world, from well known works such as Sleeping Beauty to lesser known, short works such as The Firebird and Scheherezade. Celebrating Diaghilev and Ballet Russes was at the forefront of the Diaghilev Festival and Les Saisons Russes Du XXI-eme Siecle (Russian Seasons of the XXI Century) at London’s Coliseum Theatre this week, home of English National Opera and English National Ballet.
It wasn’t the ENB on stage this time however, the young Russian ballet and opera company Moscow State Music Theatre for Young Audience, took to the London stage for the first time, complete with their full orchestra, for a triple bill evening of Diaghilev ballets, and coincidently, the choreography of Mikhail Fokine.
This traditional Russian folk story tells of a sad, scruffy clown in love with a beautiful ballerina, who incidentally prefers a lavish Moor, all of whom are under the hand of a cruel master puppeteer. Their story is played out with the backdrop of a St Petersburg festival and a variety of street performers.
The company of Moscow State Music Theatre were in full force for the festival scenes displaying wonderful traditional Russian dances with huge energy and gusto. The roles of Petruska, the Ballerina and the Moor were beautifully danced, with Petruska in particular tugging at the heartstrings with his woeful performance.
Chopiniana / Les Sylphides
The epitome of the romantic style of ballet, Chopiniana (Russian name) is set to the music of Frederic Chopin and is deliberately simple to emphasise the style and beauty of the era. In the typical, romantic environment of ghostly sylphs, a young man, known as the poet, simply dances with the beautiful creatures.
Classic ballet-blanc can be captivating, and the company certainly did it justice, performing in perfect synchronicity and harmony. The soloists showed strength and grace with a very strong technical ability.
Here, Moscow State Music Theatre really came into their own and shone as a talented new company. Taken from the second act of Alexander Borodin’s opera, Prince Igor, the opera side of the company accompanied the dancers, and quite simply blew me away.
Dancing for love and conflict, the passion is clear in Fokine’s original choreography. Once again highlighting tradition within the work, the company goes from strength to strength and finishes on a high with a mass dance and choral climax.
The Diaghilev Festival is a wonderful showcase of the Moscow State Music Theatre for Young Audience, and shows the company as talented, strong and set for a bright future. Although, in the name, they’re aiming to open theatre up to younger audiences, there’s no uncertainty that the company can bring ballet and opera to a wide range of audiences. Whatever the future holds, I’m certain that it will be successful and hopefully widespread.
Review by Natasha Wynn
Prog. 1: THE GOLDEN COCKEREL or LE COQ D’OR
July 8th, 9th, 10th at 7.30pm
Prog. 2: PETRUSHKA, CHOPINIANA, POLOVTSIAN DANCES
July 11th AT 7.30pm; July 12th at 2.30pm and 7.30pm
Prog. 3: DIAGHILEV GALA
July 13th 3pm
Monday 14th July 2014