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Review of Young Frankenstein at the Garrick Theatre

Young FrankensteinIn the science lab our story starts, the young Dr Frankenstein (or should that be Fronkensteen?) is trying everything to escape the legacy left by his grandfather yet, in this totally crazy and brilliant show, he ends up lured back to his grandfather’s estate where he creates a monster of his own.

The show is full of humour from start to finish, not clever humour but very silly humour which allows you to totally disconnect from reality. Parody and innuendo are very high on the list of laughs – parodies of other musicals, parodies of comedies, parodies of horror films – it’s all there to delight the audiences. The cheesy, theatrical choreography just serves to further juxtapose the horror of the monster with the ridiculous nature of the show.

Hadley Fraser leads the cast as Dr Frankenstein bringing with him a powerful voice and an impeccable sense of comic timing whilst Summer Strallen and Diane Pilkington, as Inga and Elizabeth respectively, further strengthen the theatrical talent on display, pulling off some stunning vocal performances and some equally gorgeous dancing.

However, it is Lesley Joseph as the servant Frau Blücher, who steals the show with a hilarious, Cabaret inspired, performance of ‘He Wos My Boyfriend’ which includes everything from a ridiculous accent to chair choreography. Comedian Ross Noble also surprises as Igor, the humped butler. Whilst he doesn’t perhaps have the vocal strength of the other actors, he impresses with his comedy and sense of ridiculousness.


All in all, the whole cast were very strong. However, they were totally upstaged by the set and lighting design for the show which all served to create a surreal yet exciting atmosphere.

From pyrotechnics to secret passageways, there was never a dull moment so a special mention must go to Beowulf Boritt and Ben Cracknell for their set and light respectively.

Overall, in an increasingly politically unstable and troubling world, Young Frankenstein is a chance to totally suspend disbelief and simply laugh. Mel Brooks once again shows he can make comedy in the most surprising of places from the most surprising of subjects. The show is horrifically anti-feminist, horrifically stereotypical and sometimes downright crude yet it somehow works perfectly.

5 Star Rating

Review by Emily Diver

From the brains behind The Producers, Blazing Saddles and Spaceballs. Legendary filmmaker and comedian Mel Brooks brings his musical comedy Young Frankenstein to life on stage in an all-singing, all-dancing musical collaboration with Tony-award winning Broadway director and choreographer Susan Stroman.

Hadley Fraser – Frederick Frankenstein
Lesley Joseph – Frau Blücher
Ross Noble – Igor
Dianne Pilkington – Elizabeth
Summer Strallen – Inga
Patrick Clancy – Inspector Kemp
Shuler Hensley – The Monster
Imogen Brooke – Ensemble
Matt Crandon – Swing
Bethan Downing – Swing
Nathan Elwick – Ensemble
Kelly Ewins-Prouse – Swing & Dance Captain
Andrew Gordon-Watkins – Ensemble
Sammy Kelly – Ensemble
Perry O’Dea – Ensemble
Richard Pitt – Ensemble & Associate Choreographer
Harriet Samuel-Gray – Ensemble
Gemma Scholes – Ensemble
Emily Squibb – Swing
Matthew Whennell-Clark – Swing
Aron Wild – Swing
Josh Wilmott – Ensemble

Book – Mel Brooks & Thomas Meehan
Music & Lyrics – Mel Brooks
Direction & Choreography – Susan Stroman
Set Design – Beowulf Boritt
Costume Design – William Ivey Long
Musical Supervision – Glen Kelly
Orchestrations – Doug Besterman
Lighting Design – Ben Cracknell
Sound Design – Gareth Owen
Musical Director – Andrew Hilton
Wigs & Hair Design – Paul Huntley
Casting Director – Jill Green CDG
Associate Director – Nigel West
Associate Choreographer – Richard Pitt

Garrick Theatre
Charing Cross Road
London, WC2H 0HH

Performances begin Thursday 28th September

Monday – Saturday: 7:30pm
Wednesday & Saturday Matinees: 3:00pm


  • Emily Gami

    I am a 25 year old Geography teacher who really loves the theatre. I first fell in love with the theatre when I was 15 and since moving to London 4 years ago I have tried to see as many shows as possible. On the rare occasions I am not at work or at the theatre I can usually be found on a tennis court or curled up somewhere with a good book

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