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Review of Around The World In 80 Days at St James Theatre

Around The World in 80 DaysThe festive offering from the St James Theatre this year is a new version of classic adventure story Around the World in 80 Days. Laura Eason’s adaptation from Jules Verne’s novel has a playful sense of invention about it – a company of 8 actors take on more than 50 characters – but with an abundance of festive frivolity available in pantomimes across the land, Lucy Bailey’s production falls a little flat, lacking the necessary sparkle for real theatrical magic.

Providing an alternative to the standard Christmas programme makes sense though, and the travels of English adventurer Phileas Fogg are a good fit for this family-based entertainment. The epitome of the Victorian gentleman, Fogg takes on a wager from his club buddies that he can’t circumnavigate the globe in less than 80 days and bets his whole fortune on it. With just his trusty valet Passepartout by his side to get them through the many scrapes in which they find themselves, the race is on.

Robert Portal is ideally cast as Fogg, all clipped accent and stiff upper lip, and he is contrasted well by Simon Gregor’s zany French manservant, though both portrayals end up a little too one-note, Gregor’s clowning particularly rarely cuts loose enough to really get the laughs. Indeed, Bailey imposes a certain restraint on the whole production that means it rarely ignites. Anna Fleischle’s timber-framed set with its trapdoors and travelators holds much theatrical potential but too often, it goes unexplored.

The speed of the journey from country to country and continent to continent is certainly rapid but there’s little invention in even their passing appearance, sometimes just leaving the script to describe the beauty of a particular view or object. Django Bates’ inventive score is a big help but so much more could be done as in The 39 Steps which has half as many cast members but at least twice as much ingenuity in following a similar multi-roling format and the imaginative evocation of numerous locations and methods of travel.

That said, there are flashes of inspiration. The elephant, petticoats that turn into curtains, a magical game of cards that stretches across the whole stage thanks to Lena Kaur’s dexterity, Tim Steed’s every single cameo as a wide range of fairly hapless chaps, Tony Gardner’s unflagging pursuit of the pair as Inspector Fix. It’s hard not to feel a little disappointed that the whole play isn’t just a little bit more creative and well, fun.

2 gold stars

Review by Ian Foster

Join Phileas Fogg on the adventure of a lifetime.
The majestic, mysterious and fabulously wealthy Phileas Fogg wagers his life’s fortune that he can circumnavigate the globe in just 80 days. Join Fogg and his loyal valet, Passepartout, as they voyage from the misty alleys of Victorian London to the exotic subcontinent and the wild west in a race against the clock.

Having been performed across the globe, this Christmas Laura Eason’s celebrated adaptation of one of the world’s most beloved tales arrives in London in a dazzling new production directed by Lucy Bailey. A cast of eight play over 100 characters in this imaginative, high-spirited escapade for all the family; including six trains, five boats, four fights, three dances, two circus acts and an elephant!

Around The World In 80 Days
St James Theatre
12 Palace Street, London, SW1E 5JA
Booking Until: 17th January 2016

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1 thought on “Review of Around The World In 80 Days at St James Theatre”

  1. Ian whether you think the play works or not I to say the play could be more creative is ridiculous. Creativity is everywhere here.

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