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Reviews of productions in London's West End and Off-West End. London theatre reviews for productions in London's West End and Off-West End.

Curtains at Wyndham’s Theatre | Review

December 18, 2019 Last updated: December 18, 2019 12:24 am By Amanda Reynolds

CURTAINS The Company - Photo Richard Davenport.
CURTAINS The Company – Photo Richard Davenport.

From the creators of Cabaret and Chicago, Curtains is a hilarious Tony Award winning comedy musical that will have audiences guessing ’til the very end. When Jessica Cranshaw, star of Broadway-bound musical Robbin’ Hood is murdered, onstage detective and musical fanatic, Frank Cioffi is brought in to solve the case.

Curtains is extremely funny and is full of twists and turns. It is a show that is not afraid to make fun of itself. The innovative mix of a classic ‘whodunit’, a musical within a musical story and lots of clichés works in no small part due to the extremely talented cast. The clever direction by Paul Foster and a creative plot keeps the production moving and entertaining throughout. At points, the performance does start to drag slightly and its long running time could be tightened to keep the pace moving at the same rate as the humour. Kander and Ebb’s music is varied with some stand-out songs such as ‘The Woman’s Dead’, ‘Show People’ and ‘He Did It’ which make fun of musicals and the musical performers themselves. The in-jokes and puns about being in ‘showbiz’ work brilliantly and even the least stagey audience will find humour in the brilliant delivery of the witty one-liners.

Curtains features a host of well-known names including Jason Manford (The Producers, Chitty Chitty Bang Bang, Guys and Dolls) who plays detective Frank Cioffi with brilliant humour and, proving that he is more than just a comedian, his vocals are strong. Carley Stenson (Les Miserables, Legally Blonde, Shrek, Spamalot and Hollyoaks) shows off her rich vocals particularly during the touching song ‘Thinking of Him’. Stealing the show, Rebecca Lock is absolutely hilarious during her throwaway comic lines and she vocally impresses, especially during the song ‘It’s A Business’. Samuel Holmes is marvellous as British director Christopher Belling – his witty one-liners are delivered with gusto and have the audience laughing out loud. All of the cast are very talented. Emma Caffrey is extremely good as Bambi Bernét especially during the dance section with Alan Burkitt – and Andy Coxon wows the audience during the moving song ‘I Miss The Music’.

The set, designed by David Woodhead, uses a cleverly constructed backdrop of a Boston theatre stage in which the show Robbin’ Hood’s fittingly amateur set pieces are quickly moved in and out. Lighting by Tim Mitchell utilises colour and spot lights to add to the comedy of the show. Gabriella Slade’s detailed costume design is super. The women’s costumes for Robbin’ Hood are particularly impressive with lots of period detail and texture.

Curtains is definitely different to other shows currently on. It is a fun, old-fashioned musical with an interesting concept. It will have the audience laughing out loud whilst constantly scratching their head trying to work out who the murderer is. With a clever, witty book and lyrics and some catchy numbers, the show is certainly a great way of getting away from the stresses of everyday life making it a great form of escapism. With an extremely talented cast Curtains is a show not to be missed either in London or around the UK on its tour.

4 stars

Review by Amanda Reynolds

From the Tony Award-winning creators of ‘Cabaret’ and ‘Chicago’, Kander and Ebb’s production tells the story of Jessica Cranshaw, star of the new Broadway-bound musical Robbin Hood, who has been murdered on stage on opening night! The entire cast and crew are suspects. Time to call in the local detective, Frank Cioffi, who just happens to be a huge musical theatre fan. With a nose for crime and an ear for music, Frank has his work cut out trying to find the killer whilst giving the show a lifeline.

The show stars comedian, actor and singer Jason Manford as Detective ‘Lt. Frank Cioffi’. He is joined by Carley Stenson as ‘Georgia Hendricks’, Rebecca Lock as ‘Carmen Bernstein’, Samuel Holmes as ‘Christopher Belling’, Leah Barbara West as ‘Niki Harris’, Alan Burkitt as ‘Bobby Pepper’ and Andy Coxon as ‘Aaron Fox’.

The cast is completed by Emma Caffrey as ‘Bambi Bernet’, Adam Rhys-Charles as ‘Daryl Grady’, Martin Callaghan as ‘Oscar Shapiro’, Minal Patel as ‘Johnny Harmon’ and Mark Sangster as ‘Sidney Bernstein’. Joining them in the ensemble is, J.R. Ballantyne, Kathryn Barnes, Pamela Blair, Charlie Johnson, Robin Kent, Thomas-Lee Kid, Ben Mundy, Gleanne Purcell Brown, Samuel John-Humphreys and Nia Jermin.

Music by John Kander, Lyrics by Fred Ebb
Book by Rupert Holmes
Original Book and Concept by Peter Stone
Additional Lyrics by John Kander & Rupert Holmes
Directed by Paul Foster

Performances
Monday – 2.30pm and 7.30pm
Tuesday – 3.00pm and 7.30pm
Wednesday – 7.30pm
Thursday – 2.30pm and 7.30pm
Friday – 2.30pm and 7.30pm
Saturday – 2.30pm and 7.30pm
Sunday – 3.00pm

Curtains
Wyndham’s Theatre
Booking to 11th January 2020
32-36 Charing Cross Road London WC2H 0DA

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TOUR DETAILS 2020:
Tuesday 14 – Saturday 18 January
LONDON New Wimbledon Theatre
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Tuesday 21 – Saturday 25 January
SUNDERLAND Empire
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Tuesday 28 January – Saturday 1 February
LIVERPOOL Empire
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Tuesday 4 – Saturday 8 February
LLANDUDNO, Venue Cymru
https://venuecymru.co.uk

Tuesday 11 – Saturday 15 February
NORWICH Theatre Royal
www.theatreroyalnorwich.co.uk

Tuesday 25 – Saturday 29 February
NORTHAMPTON Royal & Derngate
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Tuesday 3 – Saturday 7 March
BLACKPOOL Opera House
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Tuesday 10 – Saturday 14 March
GLASGOW King’s Theatre
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Monday 16 – Saturday 21 March
LEICESTER Haymarket Theatre
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Tuesday 31 March – Saturday 4 April
WOLVERHAMPTON Grand Theatre
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Tuesday 6 April – Saturday 11 April
SOUTHAMPTON Mayflower
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The Green Fairy at the Union Theatre | Review

November 5, 2019 Last updated: November 5, 2019 11:20 am By Amanda Reynolds

Julie Atherton (Jo) and Georgina Hellier (The Green Fairy) (c) Jack Sain
Julie Atherton (Jo) and Georgina Hellier (The Green Fairy) (c) Jack Sain

The latest offering at the Union Theatre in London is The Green Fairy receiving it’s full premiere after an enthusiastically received workshop at the King’s Head starring Lucie Jones and Declan Bennett. The Green Fairy follows one woman who wants to take back her life before it’s too late. Reminiscing of her life, Jo explores relationships with her ex-girlfriend, ex-husband and her daughter. Featuring an actor/musician cast of just six this musical is running until the end of November.

Jack Sain’s music is, at times, haunting and the multi-layered harmonies used are beautiful. The lyrics by Stephen Libby are clever and often witty. Some songs are glorious to listen to and all of the complicated score is performed brilliantly by the cast but unfortunately some seem to lose their impact and blur into one.

The story is slow to start and at times feels it lacks pace. Whilst the overall story has some interesting moments, it could do with some condensing to focus on the important events for Jo. Unfortunately, the cliff hanger ending also doesn’t quite fit and perhaps could be cut, instead ending on the beautifully performed and emotive song ‘Sticks and Stones’.

There is no denying that Julie Atherton is an extremely versatile performer. Never leaving the stage she has her work cut out and the emotions she portrays are always convincing and honest. Her character, Jo, is not the most likeable and unfortunately as the story progresses there few chances for the audience to grow too much empathy for her. Despite this Julie plays the character immensely well and is definitely a strong lead.

Standing out in this performance is Georgina Hellier who manages to play the fun, flirty Green Fairy and the seductive ex-girlfriend Elissa. Her vocals are beautiful but it is her ability to switch between characters that is especially good. Especially in such an intimate venue where no flaws can be hidden. She has full command of the stage and never loses character.

Opting for a simple set, designer Katharine Heath has created an ordinary pub in London but the hanging wine bottles add an extra twist and the vivid lighting by Alex Lewer create the ‘magical’ element. In fact, the lighting is some of the best seen at the Union Theatre, cleverly taking the audience on a journey between the past and the present. The use of dramatic lighting, bright colours and spotlights really works well to aid the storytelling.

Again, as so often seen at the Union Theatre, the cast is comprised of actor musicians and whilst not vital to this story it does allow for some lovely added touches and enables the music to have a lot more depth. Each cast member is multi-talented but it is Emma Whittaker who stands out for her wonderful cello and violin playing in addition to playing a Young Jo. Her soprano voice creates lovely harmonies during the duets and ensemble pieces.

Overall, as a show I think there needs to be more of a focus on Jo’s daughter Wendy whilst Toby and Jo’s husband Daniel need to be stronger characters to really allow the audience to connect with Jo’s story. At times it feels like a pity-fest which is unfortunate because like already mentioned there are some amazing songs and moments but at points they seem to get lost.

The Green Fairy is only playing at the Union Theatre for a strictly limited time and with such a multi-talented cast and an interesting score it is definitely worth paying this new show a visit.

3 Star Review

Review by Amanda Reynolds

“Come into my world, for just a minute, and cast all your doubts aside…”
Tonight, Jo saw her daughter Wendy sing for the first time in the pub where she used to work – they don’t seem to have a relationship. Jo doesn’t seem to have a relationship with anyone really, and the Green Fairy wants to know where it all went wrong…
Memories start to surface of Jo’s adolescence and early adulthood in 1990s London. Together, they explore Jo’s relationship with her ex-girlfriend, ex-husband and eventually her daughter. An ode to queer parenting and overcoming anxiety, The Green Fairy is an pub musical following one woman’s struggle to take back control of her own life before it’s too late.

Jack Sain directs Julie Atherton (Jo), Harry F Brown (Toby), Georgina Hellier (The Green Fairy), Emma Kinney (Wendy), David Perkins (Daniel) and Emma Whittaker (Young Jo).

Lockwood Productions and Fools & Kings present
The UK première of
THE GREEN FAIRY
by Jack Sain and Stephen Libby
Director: Jack Sain; Musical Director: William Bullivant
Dramaturg & Associate Writer: Hannah Hauer-King; Set and costume designer: Katharine Heath
Wednesday 30 October – Saturday 23 November
Union Theatre
http://uniontheatre.biz/

Grease The Musical at the Churchill Theatre, Bromley

October 10, 2019 Last updated: October 10, 2019 10:36 am By Amanda Reynolds

Eloise Davies as Frenchy & Peter Andre as Teen Angel in the UK and Ireland tour of GREASE, credit Manuel Harlan.
Eloise Davies as Frenchy & Peter Andre as Teen Angel in the UK and Ireland tour of GREASE, credit Manuel Harlan.

Long standing favourite Grease is back and is billed to be grittier and more glamorous than ever. Nikolai Foster’s direction revitalises Grease and makes it a brand new version of the much-loved hit. Featuring well known songs such as ‘Summer Nights’, ‘Greased Lightnin’, ‘Hopelessly Devoted to You’ and ‘You’re the One That I Want’ and new choreography by Arlene Phillips this new UK Tour is fresh and fun.

After a summer whirlwind romance Sandy finds herself transferring to Rydell High where leather-clad bad boy Danny is studying. But will their love be able to survive the trials and tribulations of teenage life?

Although stunt casting clearly works for this show as the entirety of the run at the Churchill Theatre, Bromley is sold out, with a lot of audience members clearly at the theatre to see Peter Andre, it is the rest of the cast that deserve the most credit. Martha Kirby, who makes her professional debut in this production, is commanding and has a lovely tone of voice as Sandy. With Nikolai Foster’s direction Sandy is headstrong and self confident and Kirby portrays this well. Eloise Davies impresses throughout as the fun, friendly Frenchy and it is Rhianne-Louise McCaulsky who manages to blow the audience away with her stunning rendition of ‘There Are Worse Things I Could Do’ which is one of the rare moments that the audience get a glimpse of true emotion. Jessica Croll must also be mentioned for her fantastic performance as Patty, particularly during her dance routine at the high school dance. Overall the female cast are stronger than their male counterparts, although some technical sound issues at this performance probably didn’t help with this. Dan Partridge who plays Danny Zuko has a strong voice but at times lacks conviction with his character. Fan favourite, Peter Andre shows that he is able to maintain a note during his almost laughable, ridiculously over the top song in the show and clearly the audience were rooting for him for the moment that he appeared on stage.

Martha Kirby as Sandy and Dan Partridge as Danny in the UK and Ireland tour of GREASE, credit Manuel Harlan.
Martha Kirby as Sandy and Dan Partridge as Danny in the UK and Ireland tour of GREASE, credit Manuel Harlan.

The fun, high energy and energetic choreography by Arlene Phillips is performed enthusiastically by all of the cast. The hand jive during the high school hop is a particular highlight with some fantastic 50s style swing tricks thrown in for good measure. The set, by Colin Richmond, certainly works well to create the image of Rydell High School but is not the most innovative. The same could be said of the lighting designed by Guy Hoare. Although it does the job the lighting lacks in originality and ultimately does not add very much to the staging.

Diehard fans of the film may be disappointed as this production certainly changes a lot of elements. However the main characters and plot lines remain the same. It is a shame that fundamentally Grease still portrays that women should change to win affection or love from men – surely this isn’t a message we want to promote? Other opportunities such as teenage pregnancy, also seem to be missed and it is a shame that in today’s society young women are still seeing these highly stereotypical views onstage. This said, Grease has always been one of many people’s favourite musicals and this production will no doubt be one to catch if you are amongst those people. The 2019 UK tour production is smart and sassy and shows a slightly different side to previous versions with stronger and feistier characters. Featuring a talented cast who are vocally strong and with some fancy footwork this musical is bound to continue to be a hit!

3 Star Review

Review by Amanda Reynolds

The world’s best-loved musical is back! Grittier and more glamorous than ever before, this brand-new production is direct from a sell-out and critically acclaimed run at Leicester Curve.

After a whirlwind summer romance, leather-clad greaser Danny and girl-next-door Sandy are unexpectedly reunited when she transfers to Rydell High for senior year. But can they survive the trials and tribulations of teenage life and find true love once more?

With its phenomenal score, bursting with hits including Summer Nights, Greased Lightnin’, Hopelessly Devoted to You and You’re the One That I Want, this thrilling new version is bought to life by a fresh young cast who bring energy, vitality and passion to this ultimate musical classic.

Directed by Curve’s Artistic Director Nikolai Foster and starring very special guest artist – Peter Andre as Teen Angel – reignite your passion and get ready for an explosion of summer loving.

So round-up your Burger Palace Boys, pick up your Pink Ladies and re-discover why Grease really is the one that you want this term!

Book, Music & Lyrics by Jim Jacobs & Warren Casey
Directed by Nikolai Foster
Choreography by Arlene Phillips
TUE 8 – SAT 12 OCTOBER 2019
https://churchilltheatre.co.uk/

Tales of the Turntable by ZooNation at the Southbank Centre

August 18, 2019 Last updated: August 18, 2019 7:47 pm By Amanda Reynolds

Tales of the TurntableTales of the Turntable is the latest production by the ZooNation Youth Company. Written and choreographed by Carrie-Anne Ingrouille it is fast and furious. Tales of the Turntable follows Eric and his grandfather as they take a trip through musical history. Finding out they have more in common than they first thought, George turns back time through his gramophone to show Eric the early origins of hip-hop, funk and soul through to disco, house and rap.

The young cast are energetic, committed and passionate throughout the show. Carrie-Anne Ingrouille’s creative choreography allows little time for the talented cast to rest and yet they make each section and routine seem effortless. The innovative choreography manages to be fresh and modern and yet draws influences from a wide range of dance and music eras. There are very few moments of calm onstage, with each cast member constantly on the go – whether at the forefront or background. Each performer excels throughout and dances far beyond their young age but special mentions must go to Xsia Blair, Basit Ayanwusi, William Pascua and Talia Gordon whose commitment to the character and storytelling draws the eye throughout. The choreography is dynamic, quick-paced and works brilliantly with the original music, mixed by DJ Walde.

The bright, vivid lighting, by Matt Cater, really brings this show into its own and is timed perfectly with the music and dance moves. The entire show is what audiences have come to expect of ZooNation – a riot of dance and fun. With an original storyline completed with clever narration, it is more than just a dance show.

The level of talent and professionalism shown onstage by the cast is incredible given their young age. Perfect for families, Tales of the Turntable will no doubt inspire many young dancers with its fresh, fun approach. The only minor criticism is the length of some of the sections, particularly as the show is aimed as families – this said however this is easily forgotten as audiences are sucked in by the sheer talent of the cast and the enjoyment they radiate as they perform. Fans of ZooNation or newbies to their talents should definitely aim to make a visit to the Southbank Centre this summer for Tales of the Turntable.

4 stars

Review by Amanda Reynolds

Follow the beat back through time, as Eric and his grandfather take a trip through musical history at a dance and music show for all the family, by ZooNation Youth Company.

Budding young DJ Eric and his grandfather George find out they have more in common than they once thought. Inspired by moments from Bill and Ted’s Excellent Adventure and Back to the Future, George winds back the clock through his gramophone to show Eric the importance of what has come before.

Join the pair on an adventure through time – from the early origins of hip-hop, funk and soul through to disco, house and rap.

Written by Carrie-Anne Ingrouille, choreographer of West End hit Six, this innovative piece of dance theatre features music mixed by DJ Walde. A Southbank Centre commission created by ZooNation: The Kate Prince Company.

Tales of the Turntable
15 Aug 2019 – 26 Aug 2019
Approximate run time: 70 mins
https://www.southbankcentre.co.uk/

Review of The View UpStairs at Soho Theatre

July 26, 2019 Last updated: July 26, 2019 12:11 am By Amanda Reynolds

John Partridge as Buddy in The View UpStairs, credit Darren Bell.
John Partridge as Buddy in The View UpStairs, credit Darren Bell.

Inspired by the true story of the 1973 arson attack which was the largest single attack against the LGBTQ+ community until the Pulse Nightclub shootings in Florida in 2016, The View UpStairs is a musical about ‘friendship, community, how far we’ve come and how far we still have yet to go‘.

Following Wes, a millennial fashion designer who has just brought an abandoned building which, unknown to him, used to be the Upstairs Lounge – a vibrant ’70s gay bar. Max Vernon’s The View UpStairs is filled with love songs and powerful rock ballads and features a talented all-star cast including well-known West End performers Tyrone Huntley, Declan Bennet, Cedric Neal, John Partridge and making his first West End performance is Andy Mientus, well known on Broadway for shows such as Spring Awakening and in the hit NBC TV show Smash.

This European premiere of the show, which first hit Broadway stages in 2017, is simply stunning. Moving, emotional and yet fun at the same time. Its unique blend of history and modern-day dilemmas works brilliantly. From the vibrant opening to the gut-wrenching finale, the audience is taken on a journey – a journey which everyone should take.

The cast are phenomenal throughout the 95-minute show. Tyrone Huntley excels as Wes, the fame driven young entrepreneur. His rocky, husky vocals are utilised brilliantly in this production and the characters continual quest to be ‘a somebody’ not only refers to the LGBTQ+ element of the show but to the pressures and constraints that so many people feel from social media. It is Declan Bennett’s haunting characterisation as Dale, however, that stands out. Whilst his circumstances may differ from so many people it is his feelings of invisibility that countless people will be able to relate to. The anger and torment that he displays, along with the rock style of singing during ‘Better Than Silence’ makes the song almost unbearable to watch. Again, Andy Mientus’ character Patrick has an awful back story, one that hopefully is less common now as we become more embracing of LGBTQ+, and his heartfelt, emotional characterisation during ‘Waltz (Endless Night)’ is stunning to watch. A mention must also go to Carly Mercedes Dyer whose vocals are scorching hot throughout, even during the heatwave temperatures. The entire cast are perfect in role! It is truly an ensemble piece and each performer is vital to the production.

The set, designed by Lee Newby, is instantly reminiscent of a 1970s lounge bar and is utilised perfectly by Fabian Aloise’s clever, yet subtle, choreography. The use of space is constantly considered and the idea of having some members of the audience onstage as part of the bar is a very clever addition.

Writer Max Vernon has managed to create something very special here. It pays homage to the victims of the atrocious 1973 arson attack, which was shrouded in secrecy for so long, whilst raising new issues including politics, social media and the continual persecution of some people for their freedom to express themselves. It doesn’t feel like a historical piece but instead is a fusion between the present and the past and serves to honour those who fought so that we could have the freedoms we now have. It is not over for the LGBTQ+ community. There are still battles to be won. But shows like this emphasise the importance to look back and see the journey those who came before us started and the feats they achieved.

With an outstanding cast, varied score and absolutely riveting story The View UpStairs is a must-see show of the summer; if not the year! Do not miss the chance to see this masterpiece for yourself.

5 Star Rating

Review by Amanda Reynolds

Millennial fashion designer Wes has just purchased an abandoned building, but little does he know that this forgotten gem was the UpStairs Lounge, a vibrant ‘70s gay bar in the French Quarter of New Orleans, starting an exhilarating journey of seduction and self-exploration in the summertime heat with the rush of lust, sex and incense mixed in the air.

A provocative new musical, The View UpStairs is inspired by the true story of the 1973 arson attack that was the largest single attack against the LGBTQ+ community until the Pulse Nightclub shootings in Florida in 2016. Filled with a collection of beautiful love songs and power rock ballads, this is a musical about friendship, community, how far we’ve come and how far we still have yet to go. It is a story of hope; and it’s a rainbow rollercoaster you do not want to miss.

Cast
Tyrone Huntley – Wes
Andy Mientus – Patrick
Carly Mercedes Dyer – Henri
Cedric Neal – Willie
Declan Bennett – Dale
Derek Hagen – Cops / Realtor
Garry Lee – Freddy
John Partridge – Buddy
Victoria Hamilton Barritt – Inez
Joseph Prouse – Richard

Creatives
Max Vernon – Book, Music & Lyrics
Jonathan O’Boyle – Director
Fabian Aloise – Choreographer
Bob Broad – Musical Director
Lee Newby – Set & Costume Designer
Nic Farman – Lighting Designer
Adam Fisher – Sound Designer
Will Burton CDG – Casting Director
Richard Mawbey – Wigs Designer
Alister Hawke – Fight Director
James Dobinson – Orchestrator
Ruthie Stephens – Associate Choreographer
Jessica Richardson-Smith – Costume Supervisor
Patrick Gracey Productions – General Management
Seb Cannings for Gary Beestone Events & Theatre – Production Manager

Soho Theatre
Thu 18 Jul – Sat 24 Aug 2019
https://sohotheatre.com/

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