
The Lady from the Sea at the Print Room at the Coronet
I should say before I start, that I don’t really like Ibsen. Despite being the second most performed writer after
The Lady from the Sea at the Print Room at the Coronet Read More »

I should say before I start, that I don’t really like Ibsen. Despite being the second most performed writer after
The Lady from the Sea at the Print Room at the Coronet Read More »

Fury is a modern reworking of Euripides’ classical Medea, a play which has become increasingly popular for contemporary, often feminist
Guildhall presents Phoebe Eclair-Powell’s Fury Read More »

Sara Malik’s Salaam is about lots and lots of things. Islamaphobia, faith, family, food and much more. Too much more?
Salaam presented by Sara Aniqah Malik | Review Read More »

In 2015, four black women were turned away from London’s DSTRKT venue for being “too dark”. Nouveau Riche take this
Queens of Sheba presented by Nouveau Riché at The Vault Festival Read More »

Holly Beasley-Garrigan’s solo show rests heavily on the image of Opal Fruits, and their rebranding as Starbursts in 1998, the
Opal Fruits presented by Holly Beasley-Garrigan | Vault Festival Read More »

Perhaps the most in-demand show in theatres right now, Martin Crimp and Katie Mitchell’s latest collaboration literally has people fainting
When We Have Sufficiently Tortured Each Other | National Theatre Read More »

Dance and music seem to be perfectly connected. Whether it’s rap or Rachmaninov, trap or Tchaikovsky, people dancing just fits
Nitin Sawhney / Sébastien Ramirez & Honji Wang: Dystopian Dream Read More »

The Lilian Baylis Studio, a kind of smaller, unruly sibling to Sadler’s Wells has an exciting range of interesting, experimental
Wilkie Branson’s TOM at the Lilian Baylis Studio Read More »