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Her Majesty's Theatre London Tickets - The Phantom of The Opera News & Reviews

The Phantom of the OperaThe multi-award winning The Phantom of The Opera musical continues to captivate audiences at Her Majesty's Theatre in London's West End, after more than 10,000 performances (celebrated its 10,000th performance on 23 October 2010).

Andrew Lloyd Webber's mesmerising score along with jaw-dropping scenery and breathtaking special effects, magically combine to bring this tragic love story to life each night.

Evenings: Monday to Saturday 7.30pm
Matinees: Thursday and Saturday 2.30pm
Running Time: 2 hours 30 minutes
Age Restrictions: Recommended for ages 10 and over. Under 5s will not be admitted. Parental guidance advised.
Show Opened: 27th September 1986
Important Info: The sides of the Grand Circle are side view restricted. The rear of the Stalls and Royal Circle are restricted by the overhang.

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Her Majesty’s Theatre London
57 Haymarket, London, SW1Y 4QL
Venue and Travel Information
Nearest Tube: Piccadilly Circus
Tube Lines: Bakerloo, Piccadilly
Directions from nearest tube: Go along Coventry Street and then take Haymarket on the right where the theatre will be approximately 200 metres.
Railway Station: Charing Cross
Bus Numbers: (Haymarket) 3, 6, 9, 12, 13, 15, 19, 23, 38, 53, 88, 139, 159
Night Bus Numbers: (Haymarket) 6, 12, 23, 88, 139, 453, N8, N19, N38, N97, N3, N13, N15, N136, N159
Car Park: Leicester Square, Whitcomb Street
Within Congestion Zone: Yes
Venue Facilities: Air conditioned, Bar, Disabled toilets, Infrared hearing loop, Toilets and Wheelchair accessible

Her Majesty’s Theatre London
Her Majesty's Theatre LondonThe current Her Majesty’s Theatre is actually the 4th theatre to occupy this site. The first was called The Queen’s Theatre, being built by Sir John Vanbrugh and opened on 9th April 1705.

The theatre was re-named to The Kings Theatre in 1714 when King George I ascended the throne. The theatre was generally associated with opera, until 1789 when the theatre was destroyed by fire. The 2nd theatre was by designed by Michael Novosielski and opened in March 1791. This theatre was once more associated with opera, as well as ballet. It was here that some of Mozart’s opera were first presented in London.

In 1837 the name of the theatre was changed to Her Majesty’s Theatre Italian Opera House at the time Queen Victoria ascended to the throne. The Italian Opera House segment of the name was dropped in 1847. In December 1867 the theatre was again destroyed by fire.

The theatre was reconstructed in 1869, and this time designed by Charles Lee. In 1892 the theatre was demolished leaving only the Royal Opera Arcade. The current, and 4th theatre on this site was designed by C J Phipps and opened on 28th April 1897. Now it was plays that were mostly performed, with the occasional opera. In 1916 Chu Chin Chow began a record-breaking run of 2,238 performances.

In 1929 Bitter Sweet by Noel Coward was produced and enjoyed a run of 697 performances. Following the Second World War the theatre generally presented musicals, which included Brigadoon in 1949, Paint Your Wagon in 1953, West Side Story in 1958 and the classic Fiddler On The Roof in 1967 which had a run of 2,030 performances. The current production of Phantom of the Opera, opened on 9th October 1986.

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The Phantom of the Opera West End Eurovision 2019

April 29, 2019 Last updated: April 26, 2020 8:43 pm By Elaine Chapman

West End Eurovision 2019 winners
The cast The Phantom of the Opera pictured with UK Eurovision star Graham Norton and 1998 Israeli Eurovision winner Dana International Photo: Nicolas Chinardet zefrographica.co.uk

The glitzy and glamourous 2019 charity event of the West End Eurovision song contest was held in the Adelphi Theatre on The Strand which is currently the home of the Musical Waitress.

The aim of the event is to raise money for the charity Mad Trust – Make a difference Trust which was founded in 2008 by David Pendlebury, together with Melanie Tranter and Julian Bird, and was initially known as West End Cares & subsequently Theatrecares. It raises much-needed funds to help people living with HIV and Aids in the U.K and Sub-Saharan Africa. Last year’s event saw them raise over £400.000.

The evening’s event consisted of seven acts by West End musical companies running at the current time. These were Everybody’s Talking About Jamie – the 2018 Israel entry Toy, Wicked – the 2004 Ukraine entry Wild Dances, Mamma Mia the 2010 Iceland entry Je Ne Sais Quoi, The Phantom of the Opera – 2015 Italian entry Grande Amore, Aladdin – Finland’s 2018 entry Monsters, Only Fools and Horses – 2007 Ukraine entry Dancing Lasha Tumbai and Follies – 1977 French entry L’oiseau et L’Enfant.

Our four celebrity judges were Wayne Sleep, Bonnie Langford, Tim Vincent and Amber Davies. There was some great camaraderie between the four celebrities and Wayne Sleep flirted outrageously with the host and Tim Vincent.

The host for the evening was Richard Gauntlet who is no stranger to West End musicals. His combination of wit and antics on stage made him an excellent choice to entertain the audience and introduce the acts. There were a few in-house jokes thrown in.

The most rapturous applause of the night went to the star of Everybody’s Talking About Jamie – Layton Williams. Wearing a very skimpy bodysuit, his extremely well-toned abs and physique left very little to the imagination. However, anyone who can jump into the splits as he did deserves the accolade he received.

The theatre was treated to an incredible performance by the 2019 United Kingdom Eurovision candidate Michael Rice. He has an amazing voice with plenty of wow factor and the song is extremely good. Taking the Eurovision politics to one side this candidate would certainly be in with a good chance of winning the competition.

Graham Norton the regular Eurovision host since the departure of Terry Wogan was on the stage at the end to present the award to the winner of the evening.

Dana International performed two numbers and the stunning slate grey glitzy catsuit style outfit added a real touch of showbiz bling to the performance. The winners of the evening’s overall performance was The Phantom of the Opera‘s brilliant rendition of Italy’s 2015 Eurovision entry of Grande Amore. The level of professionalism was everything you expect from a long-standing West End musical.

“Spectacular performance” Tim Vincent enthused during the judges comments backed up by Wayne Sleep swooning “… vocals sent me crazy“. Bonnie Langford captured the whole performance by simply claiming “Brilliantly Theatrical“.

The immaculate matching black outfits were absolutely stunning and the men in their dinner suits looked fabulous. However, the multicoloured sparkling dresses worn by the ladies towards the end were amazing. The true winners from this amazing glitzy gala night are the people who will now go on to be helped by the money raised at this great fundraising event. Both in the UK and Africa.

*******

This was the first time in the 9-year history of West End Eurovision that the top prize has been won by the same show in successive years.

The Phantom of the Opera was also awarded the new Outstanding Gorgeousness prize, judged by award-winning Set and Costume Designer Fly Davies and Jamie Campbell, whose story inspired ‘Everybody’s Talking About Jamie’.

The Best Creative prize – decided by the judging panel of West End star Bonnie Langford, dancer, choreographer, director and actor Wayne Sleep, OBE, ‘Blue Peter’ legend Tim Vincent and Love Island winner Amber Davies (currently playing Judy Bernly in ‘9 to 5’ at the Savoy Theatre) – went to the cast of Wicked performing ‘Wild Dances’ (Ukraine’s 2004 winning entry).

The third trophy of the night, the Best Ident, voted for by public text vote, was won by Everyone’s Talking About Jamie.

The final result was:
1. The Phantom of the Opera – 88 votes
2. Follies – 80 votes
3. Wicked – 62 votes
4. Aladdin – 52 votes
5. Mamma Mia! – 42 votes
6. Everyone’s Talking About Jamie- 40 votes
7. Only Fools and Horses- 16 votes

Melanie Tranter, chair of the Make A Difference Trust said: “Last night’s event was a testament to the generosity of the amazing people in the theatre community coming together to support the Trust. The funds raised will help us to continue our work supporting those living with or affected by HIV and AIDS. Congratulations to The Phantom of the Opera for a well-deserved win. We all look forward to them defending the trophy next year.”

Since the first West End Eurovision contest was staged in 2008, the event has raised hundreds of thousands of pounds to support the MAD Trust. The Trust works with its partners to support HIV and AIDS projects both in the UK and Sub-Saharan Africa building awareness and providing care support and education.

@MADTrust

https://www.madtrust.org.uk/

Book The Phantom of the Opera Tickets for Her Majesty Theatre.

Tagged With: ApolloTheatre, HerMajestysTheatre, The Phantom of the Opera

The Phantom of the Opera Review London Her Majesty’s Theatre

December 23, 2017 Last updated: April 26, 2020 8:44 pm By Chris Omaweng

Amy Manford, Christine Daae at certain performances
Amy Manford, Christine Daae at certain performances – Photographer Johan Persson

After more than 32 years in the West End, The Phantom of the Opera continues to sound marvellous. Actually, it sounds even better these days, as it’s a relative rarity, mostly for commercial reasons, for shows to boast an orchestra of twenty-seven members (aside from the London Musical Theatre Orchestra, whose performances are one-off specials in concert format). ‘POTO’, as some of its fans and followers refer to it on social media, has become, over the years, a production without compare. Even if what sounded innovative in 1986 doesn’t always sound quite as ground-breaking at the end of 2017.

There’s been a tendency – no names mentioned – to play some of the characters in The Phantom of the Opera with a tad too much melodrama, picked up on in parody numbers like ‘The Song That Goes Like This’ in Spamalot. This 2017/18 cast does not, thankfully, distract from the narrative with mannerisms or hammy performances, making this revisit to a much loved musical an absorbing experience, even when one already knows what is going to happen, and to whom.

Ben Lewis in the title role has a suitably booming voice, at its best in the lyrics that require considerable power. Those pronouncements about “a disaster beyond your imagination” are convincing, and overall, his performance is flawless. Jeremy Taylor’s Raoul has considerable stage presence, and a palpable sense of urgency when he sets about executing his plan of action against the ever-scheming Phantom.

Jacina Mulcahy’s Madame Giry, meanwhile, cuts an almost terrifying choreographer of the Opera Populaire in Paris, a formidable leader not to be messed around with. It amazes me that the production comes up with Madame Girys over the years that look exactly the same as each other.

(Although it shouldn’t, on reflection, surprise me at all. It’s called makeup.) And the dulcet tones of Philip Griffiths as the Auctioneer right at the start of the show are impeccable: after twenty-seven years in the show – and counting – Griffiths remains superb.

Ben Lewis as 'The Phantom' - Photographer Johan Persson
Ben Lewis as ‘The Phantom’ – Photographer Johan Persson

It’s the girl, Christine Daaé (Amy Manford) that both the Phantom and Raoul prize, which sounds a tad misogynistic, except to say (spoiler alert) the choice is ultimately hers. Manford’s singing vocal is sublime, at the right pitch and at the right volume, quite an achievement in a role that could (and indeed has) been done with too much belting. Performers playing Christine aren’t entirely to blame for this, especially when they have the Phantom in their faces repeatedly yelling, “Sing for me!” The chemistry between Manford’s Christine and Taylor’s Raoul was credible and pleasing to see.

There was even a scintilla of a smile going on, which isn’t always the case with Miss Daaé. The character’s emotions are highly discernible – the lack of confidence, for instance, when she is invited to audition for a leading part for the first time, demonstrates vulnerability; later, when she and Raoul sing the magnificent number ‘All I Ask of You’, it’s almost impossible not to be impressed by the intensity of the warmth between them. In Act Two, Christine’s ‘Wishing You Were Somehow Here Again’ is utterly delightful.

Manford puts in an engaging performance playing a tortured young woman under pressure, soliciting sympathy from the audience. Such a controlled and nuanced interpretation added depth to the production as a whole, and every high note was, in a word, impeccable. Enchanting as ever, The Phantom of the Opera remains vibrant and beautiful, and in fine form.

5 Star Rating

Review by Chris Omaweng

Now in its 32nd glorious year, The Phantom of the Opera continues to mesmerise and entrance audiences at Her Majesty’s Theatre, London and around the world.

The Phantom of the Opera
Her Majesty’s Theatre
London

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Tagged With: HerMajestysTheatre, The Phantom of the Opera

The Phantom of the Opera cast London Her Majesty’s Theatre

August 3, 2017 Last updated: April 26, 2020 8:45 pm By Admin

The Phantom of the Opera TicketsThe Phantom of the Opera has won over 70 major theatre awards, including seven Tony’s on Broadway and four Olivier Awards in the West End. It won the ‘Magic Radio Audience Award’, voted by the public, in the 2016 Laurence Olivier Awards. THE PHANTOM OF THE OPERA, which opened at Her Majesty’s Theatre on 9th October 1986 starred Michael Crawford as ‘The Phantom’ and Sarah Brightman as ‘Christine.’ It is produced by Cameron Mackintosh and The Really Useful Theatre Company Limited.

The Phantom of the Opera became the first stage production to reach worldwide grosses of $6 billion. Revenues far surpass the world’s highest-grossing film “Avatar” (at $2.8 billion), as well as such other blockbusters as “Titanic”, “The Lord of the Rings”, “Jurassic Park” and “Star Wars”. Worldwide, over 140 million people have seen THE PHANTOM OF THE OPERA in 37 countries and 172 cities in 16 languages.

The Phantom of the Opera has played in London, New York, Budapest, and on tour in the US.

CAST
Josh Piterman – The Phantom
Kelly Mathieson – Christine Daaé
Bridget Costello – Christine Daaé at certain performances
Danny Whitehead – Raoul, Vicomte de Chagny
Britt Lenting – Carlotta Giudicelli
Ross Dawes – Monsieur Firmin
Richard Woodford – Monsieur Andre
Jacinta Mulcahy – Madame Giry
Paul Ettore Tabone – Ubaldo Piangi
Georgia Ware – Meg Giry
Philip Griffiths – Monsieur Reyer/Auctioneer
Tim Morgan – Monsieur Lefevre / Don Attilio
Hadrian Delacey – Joseph Buquet
Manon Taris – Confidante (Il Muto)
Kris Manuel – Firechief
Paul Erbs – Passarino/Hairdresser
Simon Whitaker – Jeweller (Il Muto)
Ellen Jackson – Wardrobe Mistress
Andrei Teodor Iliescu – Slavemaster
James Butcher – Porter/Lion Man/Assistant Dance Captain
Katy Hanna – Wild Woman (Hannibal)
Ben Tyler – Soldier (Hannibal)
Corinne Cowling – Princess (Hannibal)
Victoria Ward – Madame Firmin
Alistair So – Policeman in the Pit
Sophie Caton – Page (Don Juan Triumphant)
Zoe Arshamian – The Ballet Chorus of the Opera Populaire
Sophie Cottrill – The Ballet Chorus of the Opéra Populaire
Morven Douglas – The Ballet Chorus of the Opera Populaire
Danielle Stephens – The Ballet Chorus of the Opera Populaire
Anna Shircliff – The Ballet Chorus of the Opera Populaire
Claire Tilling – The Ballet Chorus of the Opera Populaire
Grace Castle – Ballet Swing
Matthew Barrow – Swing
Adam Robert Lewis – Swing
Eleanor Sanderson-Nash – Swing
Rebecca Ridout – Swing
John Stacey – Swing
Scott Davies – Standby Phantom

CREATIVE TEAM
Harold Prince – Director
Cameron Mackintosh – Producer
Andrew Lloyd Webber – Composer, Book, Co-Orchestrator
Gillian Lynne – Musical Staging & Choreography
Charles Hart – Lyrics
Richard Stilgoe – Book & Additional Lyrics
Maria Björnson – Production Designer
Andrew Bridge – Lighting Design
Mick Potter – Sound Design
Martin Levan – Original Sound Design
David Cullen – Co-Orchestrator
David Caddick – Musical Supervision & Direction
Really Useful Theatre Co. – Producer

The Phantom of the Opera
Her Majesty’s Theatre
London

Book Tickets for The Phantom of the Opera London

The Phantom of the Opera UK Tour

Tagged With: HerMajestysTheatre, The Phantom of the Opera

The Phantom of the Opera celebrates 29th Birthday – London

October 9, 2015 Last updated: December 21, 2019 3:17 pm By MissJulie

The Phantom of The OperaThe West End is home to a great variety of musicals, many of which are only here for a short time. A run that lasts more than a year or so is an achievement in this day and age, and shows such as Mamma Mia, The Lion King, Wicked and Billy Elliot have defied the odds to become long-term residents of the West End. None of those come anywhere close to matching the staying power of The Phantom of the Opera, which is today celebrating its 29th birthday.

Andrew Lloyd Webber’s musical masterpiece opened at Her Majesty’s Theatre on 9th October 1986, exactly 29 years ago today. It’s an achievement rivalled only by Les Misérables, which this week celebrated 30 years in the West End, but whereas Les Misérables has moved venues several times since it first opened, Phantom is still playing in its original home at Her Majesty’s Theatre.

The Phantom of the Opera is a gothic romance of mystery and murder. Far beneath the majesty and splendour of the Paris Opera House, hides the Phantom in a shadowy existence. Shamed by his physical appearance and feared by all, the love he holds for his beautiful protégée Christine Daae is so strong that even her heart cannot resist.

The Phantom of the Opera TicketsThe multi-award winning musical is based on the 1910 French novel, Le Fantome de l’Opera, by Gaston Leroux. It features a mesmerising score by Andrew Lloyd Webber, with lyrics by Charles Hart and additions from Richard Stilgoe; the latter also collaborated with Llloyd Webber on the show’s book. Add to that Gillian Lynne’s inspired choreography and staging and Maria Bjornson’s beautiful designs, not to mention the jaw-dropping special effects in the production, and Phantom is a show as close to musical theatre perfection as possible.

It made its world debut at Her Majesty’s Theatre in 1986 with Michael Crawford and Sarah Brightman in the lead roles of The Phantom and Christine, joined in the principal line-up by Steve Barton as Raoul, Rosemary Ashe as Carlotta, Mary Millar as Madame Giry, Janet Davenish as Meg Giry, John Savident as Monsieur Firmin, David Firth as Monsieur Andre and John Aron as Piangi. Crawford, Brightman and Barton all reprised their roles in the Broadway production, which opened at the Majestic Theatre on 26th January 1988 and continues to play there to this day.

There have been dozens of productions worldwide since then, with Phantom currently playing in Hamburg, Stockholm, Moscow, China and Budapest, and also touring North America. It also inspired a film adaption in 2005, starring Gerard Butler and Emmy Rossum, and an edited production opened at The Venetian Resort Hotel Casino in Las Vegas, Nevada in 2006. Re-titled Phantom – The Las Vegas Spectacular, it was directed and choreographed by Harold Prince and Gillian Lynne and ran until September 2012.

The show also birthed a sequel in 2010. Love Never Dies was a follow-up musical to The Phantom of the Opera, set 10 years after the events of the original, which saw Christine Daae reunited with the Phantom after she is invited to perform at the mysterious Phantasma in Coney Island, New York. Starring Ramin Karimloo as the Phantom opposite Sierra Boggess as Christine, Love Never Dies opened at the Adelphi Theatre on 9th March 2010 and ran for almost 18 months, closing on 27th August 2011. It received mixed reviews, but the re-worked Melbourne production which followed was generally better received and the show has since gone on to play in countries all around the world.

The Phantom of the Opera is one of the most successful musicals of all time, having been seen by more than 140 million people and with a worldwide gross of over $6 billion. It has won more than 70 theatre awards, including three Olivier Awards and seven Tony Awards and been produced in 151 cities, in 30 countries around the world. Phantom is Broadway’s longest-running show ever, and after more than 11,000 performances, is also the second longest-running show in the West End, behind Les Misérables.

The show celebrated its 25th anniversary in 2011 with three performances of a fully-staged production at the Royal Albert Hall. Ramin Karimloo and Sierra Boggess led the production as the Phantom and Christine, alongside Hadley Fraser as Raoul, Wendy Ferguson as Carlotta, Liz Robertson as Madame Giry, Daisy Maywood as Meg Giry, Barry James as Monsieur Firmin, Gareth Snook as Monsieur Andre and Wynne Evans as Piangi and an ensemble of former Phantom cast members. Michael Crawford and Sarah Brightman made an appearance at the end of the performance, with Brightman performing the title song with iconic Phantom’s from around the world, John Owen-Jones, Colm Wilkinson, Peter Joback, Anthony Warlow and Ramin Karimloo, who then performed ‘Music of the Night’ together.

The London production had a major cast-change on 7th September 2015 and currently stars John Owen-Jones as the Phantom and Celinde Schoenmaker as Christine. Also in the principal line-up are Nadim Naaman as Raoul, Megan Llewellyn as Carlotta, Jacinta Mulcahy as Madame Giry, Alicia Beck as Meg Giry, Michael Matus as Monsieur Firmin, Christopher Dickens as Monsieur Andre and John Ellis as Piangi.

The Phantom of the Opera is an iconic piece of musical theatre and a favourite of many theatre fans – myself included. It’s a timeless show that audiences return to again and again, and after 29 years, remains one of the most popular draws in the West End with no sign of that changing any time soon. So happy birthday Phantom! Next year it celebrates an amazing 30 years in the West End, with many more to follow after that.

By Julie Robinson
@missjulie25

The Phantom of The Opera
Her Majesty’s Theatre
57 Haymarket, London, SW1Y 4QL
London West End Seating Plans
Evenings: Monday to Saturday 7.30pm
Matinees: Thursday and Saturday 2.30pm
Running Time: 2 hours 30 minutes
Age Restrictions: Recommended for ages 10 and over. Under 5s will not be admitted. Parental guidance advised.

Tagged With: HerMajestysTheatre, The Phantom of the Opera

The Phantom of The Opera North American Tour

November 23, 2013 Last updated: December 21, 2019 3:11 pm By Neil Cheesman

The Phantom of the Opera TicketsFollowing an acclaimed United Kingdom sell-out tour, Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s phenomenal musical success, The Phantom of the Opera, has its U.S. premiere in Providence, Rhode Island, launching a new North American Tour. Critics are gushing that this breathtaking production that is “bigger and better than ever before.”

This Phantom features a magnificent new scenic design by Paul Brown, Tony Award-winning original costume design by Maria Björnson, lighting design by Tony Award winner Paule Constable, new choreography by Scott Ambler, and a new staging by director Laurence Connor. The production, overseen by Matthew Bourne and Cameron Mackintosh, features many breathtaking special effects including the show’s legendary chandelier.

The much-loved story and exhilarating score, with songs like ‘Music of the Night’, ‘Masquerade’,  and ‘All I Ask Of You’, will be performed by a cast and orchestra of 52, making this Phantom one of the biggest productions currently on tour.

The Phantom of the Opera – US Tour Trailer 2013

Leading Cast:
The Phantom – Mark Campbell, Christine Daaé – Julia Rose Udine, Christine Daaé at some performances, Ensemble  – Grace Morgan, Raoul, Vicomte de Chagny – Ben Jacoby, Carlotta Guidicelli – Jacquelynne Fontaine, Monsieur Firmin – Craig Bennett, Monsieur André – Edward Staudenmayer, Madame Giry – Linda Balgord, Ubaldo Piangi – Frank Viveros, Meg Giry – Hannah Florence.

Tour Schedule
12/13/13 – 1/5/14 > Minneapolis, MN, Orpheum Theatre
1/9/14 – 3/2/14 > Chicago, IL, Cadillac Palace Theatre
3/5/14 – 3/16/14 > Columbus, OH, Ohio Theatre
3/19/14 – 4/13/14 > Philadelphia, PA, Academy of Music
4/16/14 – 4/27/14 > Rochester, NY, Auditorium Theatre
4/30/14 – 5/11/14 > Cincinnati, OH, Aronoff Center
5/14/14 – 5/25/14 > Greenville, SC, The Peace Center
5/28/14 – 6/8/14 > Schenectady, NY, Proctors
6/11/14 – 6/22/14 > Appleton, WI, Fox Cities Performing Arts Center
6/26/14 – 7/20/14 > Boston, MA, Opera House
7/23/14 – 8/3/14 > Milwaukee, WI, Uihlein Hall
9/10/14 – 9/21/14 >Des Moines, IA, Des Moines Performing Arts – Civic Center

The Phantom of the Opera Tickets London

Tagged With: HerMajestysTheatre

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