Writer David Shirreff was a distinguished journalist on financial matters for The Economist for many years including during the banking meltdown
Crunch Productions’ Broke Britannia! The Musical – Review Read More »
The author Tamsin Oglesby wrote “Future Conditional” because she felt, from her own experience, that the “…hypocrisies, deceptions and compromises [in
Review of Future Conditional at The Old Vic Theatre Read More »
“Flare Path” opened in London in August 1942; it had a successful run but until Trevor Nunn’s revival in 2011 as
Flare Path at Richmond Theatre London – Review Read More »
Marivaux’s “Le Jeu de l’amour et du hazard” was first produced in 1730 and over the years the debate has been
Review of The Game of Love and Chance at Barons Court Theatre Read More »
The revival of Robert Icke and Duncan Macmillan’s brilliant 2013 interpretation of George Orwell’s “Nineteen Eighty-Four” is timely and this
1984 is a gripping, superbly staged and realistically acted play Read More »
The “Great American Songbook” provides the not-so-raw material for the musical greats of the mid to late 20th Century –
Review of The Songbook of Judy Garland Read More »
The “Fantasy” genre as a source for the musical theatre is in the eye at the moment because of the
Review of Duncton Wood at Union Theatre Southwark Read More »
Claudio Macor’s new play is an ambitious and highly successful recreation of the type of story told by the Film
Review of In the Dead of Night at the Landor Theatre Read More »